Henry Bond - Published Works

Published Works

Non-fiction

  • The Gaze of the Lens (Seattle: Amazon KDP, 2011)
  • Lacan at the Scene (Cambridge, Mass: The MIT Press, 2009)

Photography monographs

  • Interiors Series (Antwerp: Fotomuseum, 2005)
  • What gets you through the day (London: Art Data/Lavie, 2002)
  • Point and Shoot (Ostfildern: Cantz, 2000)
  • La vie quotidienne (Essen: 20/21, 1999)
  • The Cult of the Street (London: Emily Tsingou Gallery, 1998)
  • Documents (London: APAC/Karsten Schubert Limited, 1991)
  • 100 Photographs (Farnham, Surrey: James Hockey Gallery, 1990)

Documentation of video works

  • Safe Surfer (Lyon, France: Biennale de Lyon, 1995)
  • Deep, Dark Water (London: Public Art Development Trust, 1994)
  • Hôtel Occidental (Nice, France: Villa Arson, 1993)

Edited books

  • Henry Bond and Sarah Lucas, East Country Yard Show (London: East Country Yard, 1990)
  • Henry Bond and Andrea Schlieker, Exhibit A (London: Serpentine Gallery, 1992)

Essays in edited books

  • "The Hysterical Hystery of Photography." In Urs Stahel (ed.), Darkside I: Photographic Desire and Sexuality Photographed, (Göttingen, Germany: Steidl, 2008)
  • "Comments on this Series." In Christoph Ruys (ed.), Henry Bond: Interiors Series (Antwerp, Belgium: Fotomuseum, 2005)
  • "Montage My Fine Care: Five Themes with Examples." In Henry Bond & Andrea Schlieker (ed.), Exhibit A (London: Serpentine Gallery, 1992)

Journal articles

  • "Things Happen Fast," Creative Camera, Issue 306, October–November 1990, pp. 4–5.
  • "Philip-Lorca diCorcia’s Virtual Reality," Creative Camera, Issue 309, April–May 1991, p. 24-25.
  • "Wegman's Ritual: William Wegman in London," Creative Camera, Issue 307, December–January 1991, p. 44.
  • "Bradley, Collishaw, Stezaker: Haunting with Second-Hand Images," Creative Camera, Issue 309, April–May 1991, p. 48.
  • "Henry Bond & Liam Gillick: Press Kitsch," Flash Art International, Vol. XXV, Issue 165, July/August 1992, pp. 65–66.
  • "Andrea Fisher," Flash Art International, Vol. XXV, Issue 166, September, 1992, p. 133.
  • "Alfredo Jaar," Flash Art International, Vol. XXV, Issue 165, July/August 1992, pp. 118–9.

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    “Literature that is not the breath of contemporary society, that dares not transmit the pains and fears of that society, that does not warn in time against threatening moral and social dangers—such literature does not deserve the name of literature; it is only a façade. Such literature loses the confidence of its own people, and its published works are used as wastepaper instead of being read.”
    —Alexander Solzhenitsyn (b. 1918)