Works
- Stresemann and the Politics of the Weimar Republic, Princeton: Princeton University Press, 1963.
- Nazism and the Third Reich, New York: Quadrangle Books, 1972
- Faschismus und Kapitalismus in Deutschland, Goettingen: Vandenhoeck & Ruprecht, 1972
- Reappraisals of Fascism (editor), New York: New Viewpoints, 1975.
- Hitler aus nächster Nähe: Aufzeichnungen eines Vertrauten 1929-1932 (editor), Frankfurt/M, Berlin, Wien: Ullstein, 1978.
- German Big Business and the Rise of Hitler, New York: Oxford University Press, 1985, translated as Die Grossunternehmer und der Aufstieg Hitlers, Berlin: Siedler Verlag, 1985.
- Hitler: Memoirs of a Confidant (editor), New Haven: Yale University Press, 1985.
- The Two Germanies since 1945, New Haven: Yale University Press, 1987, revised as
- Germany from Partition to Reunification, New Haven: Yale University Press, 1992.
- Geissel des Jahrhunderts: Hitler und seine Hinterlassenschaft, Berlin: Siedler Verlag, 1989.
- Hitler's Thirty Days to Power: January 1933, Reading, Mass.: Addison-Wesley, 1996.
- General Motors and the Nazis: The Struggle for Control of Opel, Europe's Biggest Carmaker, New Haven: Yale University Press, 2005.
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Famous quotes containing the word works:
“Every man is in a state of conflict, owing to his attempt to reconcile himself and his relationship with life to his conception of harmony. This conflict makes his soul a battlefield, where the forces that wish this reconciliation fight those that do not and reject the alternative solutions they offer. Works of art are attempts to fight out this conflict in the imaginative world.”
—Rebecca West (1892–1983)
“In doing good, we are generally cold, and languid, and sluggish; and of all things afraid of being too much in the right. But the works of malice and injustice are quite in another style. They are finished with a bold, masterly hand; touched as they are with the spirit of those vehement passions that call forth all our energies, whenever we oppress and persecute..”
—Edmund Burke (1729–97)
“Artists, whatever their medium, make selections from the abounding materials of life, and organize these selections into works that are under the control of the artist.... In relation to the inclusiveness and literally endless intricacy of life, art is arbitrary, symbolic and abstracted. That is its value and the source of its own kind of order and coherence.”
—Jane Jacobs (b. 1916)