Origins
In 1984, executive producers Malik B. Ali and Waleed B. Ali of Maljack Productions hired a former delivery man for their video equipment rental business, John McNaughton, to direct a documentary about gangsters in Chicago during the 1930s. Dealers in Death was a moderate success, and was well received critically, so the Ali brothers kept McNaughton on as director for a second documentary, this time about the Chicago wrestling scene in the 1950s. A collection of vintage wrestling tapes had been discovered, and the owner was willing to sell them to the Ali brothers for use in the documentary. However, after financing was in place, the owner doubled his price and the brothers pulled out of the deal. With the documentary cancelled, Waleed and McNaughton decided that the money for the documentary could instead be used to make a feature film. The Ali brothers gave McNaughton $110,000 to make the film, with the provisos being that it was to be a horror film with plenty of blood.
McNaughton knew that with the budget he was to be working, there would be no way he could make a horror movie about aliens or monsters, and he found himself stumped for a subject matter until he saw an episode of 20/20 about the serial killer Henry Lee Lucas. It was then that McNaughton decided the subject for the film would be a flesh and blood human being.
In the meantime, the Ali brothers brought Steven A. Jones onto the project as a producer, and Jones hired Richard Fire to work as McNaughton's co-writer. With producer, writer and director in place and with the subject matter decided upon, the film went into production.
Read more about this topic: Henry: Portrait Of A Serial Killer
Famous quotes containing the word origins:
“Grown onto every inch of plate, except
Where the hinges let it move, were living things,
Barnacles, mussels, water weeds—and one
Blue bit of polished glass, glued there by time:
The origins of art.”
—Howard Moss (b. 1922)
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)
“The origins of clothing are not practical. They are mystical and erotic. The primitive man in the wolf-pelt was not keeping dry; he was saying: “Look what I killed. Aren’t I the best?””
—Katharine Hamnett (b. 1948)