Henri Pousseur - Biography

Biography

Pousseur studied at the Academies of Music in Liège and in Brussels from 1947 to 1952, where he joined the group called Variations associated with Pierre Froidebise. It was in this group that he first became familiar with the music of Anton Webern and other 20th-century composers. During his period of military service in 1952–53 at Malines he maintained close contact with André Souris. He encountered Pierre Boulez in 1951 at Royaumont, and this contact inspired his Trois chants sacrés, composed that same year. In 1953 he met Karlheinz Stockhausen, and in 1956 Luciano Berio (Decroupet 2009).

In 1954 he married Théa Schoonbrood with whom he had four children: Isabelle (1957), Denis (1958), Marianne (1961), and Hélène (1965).

Beginning around 1960, he collaborated with Michel Butor on a number of projects, most notably the opera Votre Faust (1960–68) (Decroupet 2009).

Pousseur taught in Cologne, Basel, and in the United States at SUNY Buffalo, as well as in his native Belgium. From 1970 until his retirement in 1988 he taught at the University and Conservatory of Liège where he also founded the Centre de recherches et de formation musicales de Wallonie. He died aged 79, on the morning of 6 March 2009, of bronchial pneumonia (Machart 2009).

Read more about this topic:  Henri Pousseur

Famous quotes containing the word biography:

    A great biography should, like the close of a great drama, leave behind it a feeling of serenity. We collect into a small bunch the flowers, the few flowers, which brought sweetness into a life, and present it as an offering to an accomplished destiny. It is the dying refrain of a completed song, the final verse of a finished poem.
    André Maurois (1885–1967)

    Just how difficult it is to write biography can be reckoned by anybody who sits down and considers just how many people know the real truth about his or her love affairs.
    Rebecca West (1892–1983)

    Had Dr. Johnson written his own life, in conformity with the opinion which he has given, that every man’s life may be best written by himself; had he employed in the preservation of his own history, that clearness of narration and elegance of language in which he has embalmed so many eminent persons, the world would probably have had the most perfect example of biography that was ever exhibited.
    James Boswell (1740–95)