Helsinki Swimming Stadium - Current Use

Current Use

The Swimming Stadium is a popular refreshment place for citizens. It is open from the beginning of May to the end of September. It is a popular place, and in summertime it is visited by about 5000 swimmers every day. The Stadium has three pools: a 50 metre exercise swimming pool, a jumping pool and a children's pool, and a small, shallow, round wading pool for small children a little further away. The jumping pool has two 1 metre and two 3 metre high springboards, and a 1 metre plateau in front of the jumping tower. Use of the jumping tower is controlled and requires lifeguard supervision. The 1 and 3 metre springboards are almost always freely usable by customers. However, for example when swimming teams or clubs come to practice at the Stadium, the 3 metre springboard may be reserved for their use.

The area also has a water slide, a gym, a basketball field, a volleyball field, a table tennis table and a café. The gym is open all year round.

Outside normal opening times, the Stadium is used a practicing place for other aquatic sports, for example diving schools use the jumping pool as practice place.

The Swimming Stadium is also the scene for filming the popular Finnish TV Show Summeri.

In January 2009, the city of Helsinki initiated a discussion of keeping the Helsinki Swimming Stadium heated throughout the entire autumn and winter, in order to make it accessible for outdoor swimming during the entire year, in honour of the 90th anniversary of the Sports Bureau of Helsinki. However, this idea was abandoned as too expensive.

Read more about this topic:  Helsinki Swimming Stadium

Famous quotes containing the word current:

    “I” is a militant social tendency, working to hold and enlarge its place in the general current of tendencies. So far as it can it waxes, as all life does. To think of it as apart from society is a palpable absurdity of which no one could be guilty who really saw it as a fact of life.
    Charles Horton Cooley (1864–1929)

    I have come to believe ... that the stage may do more than teach, that much of our current moral instruction will not endure the test of being cast into a lifelike mold, and when presented in dramatic form will reveal itself as platitudinous and effete. That which may have sounded like righteous teaching when it was remote and wordy will be challenged afresh when it is obliged to simulate life itself.
    Jane Addams (1860–1935)