Life
Adam was a precocious poet; her first book, The Elfin Pedlar, was published in 1923, when the poet was fourteen years old. That book was in the Victorian genre of light verse about fairies and other pastoral subjects. Her early books were well known and widely reviewed; the composer Sir Charles Villiers Stanford set selections from The Elfin Pedlar to orchestral music, and performed them widely.
Adam attended Edinburgh University for two years. After leaving Edinburgh University she worked as a journalist in London. In 1939 she moved to the United States and eventually moved to San Francisco. In San Francisco she worked with such influential poets as Allen Ginsberg and Robert Duncan.
One of the oldest of the poets in the San Francisco Renaissance, she worked closely with Duncan, Jess, Madeline Gleason, and Jack Spicer, among others. She also encouraged many of the Beat poets as they began to explore performance and writing as an art form. While her continued use of the ballad form “mystified” many of the poets more associated with the movement, the "magic and knowledge she brought to San Francisco startled the young wild sages of its Renaissance with a special kind of madness."
Helen Adam and her sister collaborated on a ballad opera entitled San Francisco's Burning which was published in 1963 and reissued in 1985 with score by Al Carmines and drawings by Jess. A collection of her poems was collected in a work titled Selected Poems and Ballads. She was one of only four women whose work was included in Donald Allen's landmark anthology, The New American Poetry 1945-1960 (1960). Adam also acted in two films: Death and Our Corpses Speak, both of which were filmed in Germany. Her life was a subject of a documentary film directed by experimental film maker Rosa von Praunheim.
Her papers are held at University at Buffalo, The State University of New York, and Kent State University.
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