Heavy Metal (film) - Critical Reaction and Cult Status

Critical Reaction and Cult Status

Critical response to the film was generally dismissive with some reviewers making positive comments; review aggregator Rotten Tomatoes reports that 60% of critics have given the film a positive review based on 25 reviews, with an average rating of 5.7/10 and the critical consensus: "It's sexist, juvenile, and dated, but Heavy Metal makes up for its flaws with eye-popping animation and a classic, smartly used soundtrack." Janet Maslin of The New York Times noted that the film "was scored very well, with music much less ear-splitting than the title would suggest." Film historian and critic Leonard Maltin gave the film 3 stars out of 4 in his Movie Guide, calling the feature "...uneven, but great fun on a mindless, adolescent level."

The film enjoyed only limited appeal in its initial run, but became a popular cult attraction for midnight theatrical showings, much like The Rocky Horror Picture Show. Legal problems with the copyrights for some of the music used in the film prevented a commercial home video release for 15 years, although the film was in rotation on some cable channels, including Cinemax, HBO, and TBS, which allowed fans to record it and circulate bootleg copies. Heavy Metal may be the canonical example of a popular film or album that was unavailable to consumers for a long time for obscure reasons, despite popular acclaim or success.

Read more about this topic:  Heavy Metal (film)

Famous quotes containing the words critical, reaction, cult and/or status:

    The critical method which denies literary modernity would appear—and even, in certain respects, would be—the most modern of critical movements.
    Paul Deman (1919–1983)

    An actor must communicate his author’s given message—comedy, tragedy, serio- comedy; then comes his unique moment, as he is confronted by the looked-for, yet at times unexpected, reaction of the audience. This split second is his; he is in command of his medium; the effect vanishes into thin air; but that moment has a power all its own and, like power in any form, is stimulating and alluring.
    Eleanor Robson Belmont (1878–1979)

    The cult of art gives pride; one never has too much of it.
    Gustave Flaubert (1821–1880)

    The influx of women into paid work and her increased power raise a woman’s aspirations and hopes for equal treatment at home. Her lower wage and status at work and the threat of divorce reduce what she presses for and actually expects.
    Arlie Hochschild (20th century)