Plot
Le Ly Hayslip is a girl growing up in a Vietnamese village. Her life changes when the communist insurgents show up in the village to first fight the forces of France and then the United States. During the American involvement, Le Ly is captured and tortured by South Vietnamese government troops, and later raped by the Viet Cong because they suspect that she is a traitor. After the rape, her relationship with her village is destroyed, and she and her family are forced to move.
Her family moves to Saigon and she is employed by a family there. The master of the household misleads her into believing that he genuinely cares for her, and she falls for him and gets pregnant by him. The master's wife becomes enraged and Le Ly's whole family is forced to move back to their former province. There she meets Steve Butler (Tommy Lee Jones), a Gunnery Sergeant in the United States Marine Corps. When she first meets him she is not interested in a boyfriend or marriage, having been through so much suffering. Steve falls for Le Ly and treats her very well, making a big difference in her life while in Vietnam.
The two leave Vietnam and move to the United States. Their life together begins well, but years of killing and life in the bush take their toll on Steve who becomes uncontrollably violent. The relationship falters, despite Le Ly's attempts to reconcile with Steve. After an impassioned plea by Le Ly for Steve to come back to her, Steve commits suicide. Many years following this tragic experience, Le Ly returns to Vietnam with her sons and shows them where she came from.
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Famous quotes containing the word plot:
“The westward march has stopped, upon the final plains of the Pacific; and now the plot thickens ... with the change, the pause, the settlement, our people draw into closer groups, stand face to face, to know each other and be known.”
—Woodrow Wilson (1856–1924)
“If you need a certain vitality you can only supply it yourself, or there comes a point, anyway, when no one’s actions but your own seem dramatically convincing and justifiable in the plot that the number of your days concocts.”
—John Ashbery (b. 1927)
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)