Critical Reception
Roger Ebert of the Chicago Sun-Times called it "a bitter, sour movie about two people who are only marginally interesting" and placed much of the blame on screenwriter Nora Ephron, who "should have based her story on somebody else's marriage. That way, she could have provided the distance and perspective that good comedy needs." He felt "she apparently had too much anger to transform the facts into entertaining fiction."
Variety thought it was "a beautifully crafted film with flawless performances and many splendid moments, yet the overall effect is a bit disappointing" and added, "While the day-to-day details are drawn with a striking clarity, Ephron's script never goes much beyond the mannerisms of middle-class life. Even with the sketchy background information, it's hard to tell what these people are feeling or what they want."
Pauline Kael of The New Yorker wrote: "The movie is full of talented people, who are fun to watch, but after a while the scenes that don't point anywhere begin to add up, and you start asking yourself: 'What is this movie about?' You are still asking when it's over, and by then a flatness, a disappointment, is likely to have settled ovet the fillips you'd enjoyed," noting that "hough Ephron is a gifted and a witty light essayist, her novel is no more than a variant of a princess fantasy: Rachel, the wife, is blameless; Mark, the husband, is simply a bad egg—an adulterer. And, reading the book, you don't have to take Rachel the bratty narrator very seriously; her self-pity is so thinly masked by humor and unabashed mean-spiritedness that you feel that the author is exploiting her life—trashing it by presenting it as a juicy, fast-action comic strip about a marriage of celebrities."
Read more about this topic: Heartburn (film)
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