Haydn And Folk Music
This article discusses the influence of folk music on the work of the composer Joseph Haydn (1732–1809).
Read more about Haydn And Folk Music: Background, Sources of Tunes, Differences Between Folk Versions and Haydn's Versions, The Reverse-transmission Theory, Haydn and Croatian Ethnicity, Learned Borrowings From Other Nationalities
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“To the extent to which genius can be conjoined with a merely good human being, Haydn possessed genius. He never exceeds the limits that morality sets for the intellect; he only composes music which has “no past.””
—Friedrich Nietzsche (1844–1900)
“An’ when the earth’s as cauld’s the mune
An’ a’ its folk are lang syne deid,
On coontless stars the Babe maun cry
An’ the Crucified maun bleed.”
—Hugh MacDiarmid (1892–1978)
“I fear I agree with your friend in not liking all sermons. Some of them, one has to confess, are rubbish: but then I release my attention from the preacher, and go ahead in any line of thought he may have started: and his after-eloquence acts as a kind of accompaniment—like music while one is reading poetry, which often, to me, adds to the effect.”
—Lewis Carroll [Charles Lutwidge Dodgson] (1832–1898)