Production
After experimenting with a new producer, Peter TÃĪgtgren on Follow the Reaper, the band turned back to their old producer, Anssi Kippo, with Hate Crew Deathroll. The album was mixed by Mikko Karmila, who had also mixed Hatebreeder and the second mix of Follow the Reaper and would later produce their next album, Are You Dead Yet?.
At this time, Children of Bodom were dealing with the issue that their contract with Spinefarm, which published their three earlier major albums, expired with Hate Crew Deathroll's predecessor, Follow the Reaper. Furthermore, Spinefarm had been bought by the big company Universal Music Group in 2002, forcing the band to decide whether they would continue with Spinefarm, which would mean that their future albums would be released worldwide by UMG. They received several offers from various companies before their final decision to stay with Spinefarm (and thus UMG).
The contract with the "new" Spinefarm meant that Children of Bodom now had financial backing from one of the world's largest record companies, UMG. This led to the band for the recording of Hate Crew Deathroll had access to production equipment of the highest quality, and as a result, the album also received praise for its production, having been described as "crystal clear" and "sharp".
Read more about this topic: Hate Crew Deathroll
Famous quotes containing the word production:
“The problem of culture is seldom grasped correctly. The goal of a culture is not the greatest possible happiness of a people, nor is it the unhindered development of all their talents; instead, culture shows itself in the correct proportion of these developments. Its aim points beyond earthly happiness: the production of great works is the aim of culture.”
—Friedrich Nietzsche (1844–1900)
“[T]he asphaltum contains an exactly requisite amount of sulphides for production of rubber tires. This brown material also contains “ichthyol,” a medicinal preparation used externally, in Webster’s clarifying phrase, “as an alterant and discutient.””
—State of Utah, U.S. public relief program (1935-1943)
“From the war of nature, from famine and death, the most exalted object which we are capable of conceiving, namely, the production of the higher animals, directly follows. There is grandeur in this view of life, with its several powers, having been breathed into a few forms or into one; and that, whilst this planet has gone cycling on according to the fixed law of gravity, from so simple a beginning endless forms most beautiful and most wonderful have been, and are being, evolved.”
—Charles Darwin (1809–1882)