Hatching System - Additional Tinctures

Additional Tinctures

Out of these systems, Otto Titan von Hefner published some further hatching methods at table X of his above cited book, presenting hatching methods for some additional tinctures as well. Some additional tinctures already appeared in the theory of heraldry in the early 15th century, which were then soon applied in practice. The German jurist and heraldist Eucharius Gottlieb Rink (1670–1746) introduced hatching for the gray (Eisen) and proper (Naturfarbe). These hatchings (natürlichen Farbe, Eisenfarbe) were presented by Gatterer as well. He maintained that the first one is needless, but the second one has its own importance, because he had noticed himself that old armorials produced by herolds, at least in Germany, also made difference between iron-colour (Eisenfarbe) and the white colour (weisse Farbe), when they omit the term Argent. He also recommended to study the work by Johann David Köhler titled Programma de auctoribus incisurarum, to learn about the origin of hatchings. The German heraldist Christian Samuel Theodor Bernd (1775–1854) introduced hatching for some other tinctures such as Umbra (sienne, earth-color), Rotgelb (yellow-red, orange), Stahlblau (steel blue) and Blutfarbe (sanguine).

Besides the traditional metals, or (gold) and argent (silver), some other metals like copper, lead, bronze, etc. also emerged over the years. Hatching for iron (ferro) and steel (acciaio) were introduced by two Italian heraldists Guelfi Camaini and Goffredo di Crollanza, but these were rarely used.

The heraldic furs (ermine, vair) do not need a special hatching method, as they have a special pattern that is easily recognizable even on the uncoloured illustrations. Nevertheless, there existed two heraldic furs that had their own hatchings. Also, there are in use (mainly in the Czech heraldic literature) furs like zibeline and marten. The colour and hatching for zibeline is the same as the sable (black) tincture, and the colour and hatching of marten is identical with the gules (red) tincture. So, in some countries these tinctures are also held as furs (mainly in the Czech heraldic traditions, but not in real use, and sometimes also in the German heraldry, which is also not in real use today).

Zibeline (in German Zobelfell, in Czech sobol, and in Hungarian coboly) was already used in the ancient times of heraldry. Some minnesängers applied the word Zobelfell for the black tincture, and the arms of the count von Zollern also contained zibeline (Zobelfell). The colour and hatching of marten (in German Marderfell, in Czech kunina, and in Hungarian nyest) is identical with the red (gules) tincture. The origin of the word gules is from the Medieval Latin word gula, which means the mouth of a carnivorous animal, and in some cases the goules are made of the marten fur (one text says goules de martre). Maybe its reddish tint came to the heraldry from the fur of pine marten. In the poem of Konrad von Würzburg we can read kelen rôt (line 985) transformed into modern German as pelzrot. (Furthermore, we can read there phrases like vîz hermelin (405), which is hermelinweiß, and zobel (400) as well.) Though the Webster's Dictionary defines the meaning of pine as a white, yellowish timber and the Cambridge International Dictionary defines it as a timber usually pale in colour, no source, including heraldry textbooks, mentions it in connection with heraldry.

Colour scale of all tinctures used in heraldry (as we can see, some of them are spare)
(white) argent
(silver)
(fer)
iron
(acier)
steel
(platine)
platinum
silver-
gray
(cendré)
ashen
grey
iron-
grey
(plomb)
lead
sable
(black)
(zibelline)
(pourpre)
purpure
crimson (mûre)
murrey
navy
blue
(azur)
azure
(dark) horizon
blue
teal (light) horizon
blue
(aqua)
water-
colour
(green-)
aquamarine
bleu
céleste
(sinople)
vert
or
(gold)
bhagwa (tanné)
tenné
orange (gueules)
gules
(martre)
marten
Kenya
red
sanguine
(blood red)
crimson
red
amaranth
(cuivre)
copper
(chamois)
buff
(sienne)
earth-
colour
(ocre-) ochre-
red
(marron)
brown
(ocre)
ochre
bronze (light)
earth-
colour
rose flesh-
colour
(carnation)

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