Architecture and Fittings
In the words of the authors of the book Morocco Country Study Guide, the Hassan II Mosque "undeniably marks the continuity of a modernized ancestral art and bears the sign of innovations that are due not only to technical reasons but also to a fertile exploration of new aesthetic possibilities." The building dimensions are 200 metres (660 ft) in length and 100 metres (330 ft) in width. All of the granite, plaster, marble, wood and other materials used in the construction, were extracted from around Morocco, with the exception of some Italian white granite columns and 56 glass chandeliers. Six thousand traditional Moroccan artisans worked for five years to create the abundant and beautiful mosaics, stone and marble floors and columns, sculpted plaster moldings, and carved and painted wood ceilings. The exterior surfaces of the mosque display titanium, bronze, and granite finishes. It is ornamented with pale blue marble and Zellige tilework. A particular feature in the mosque is that all structures are made of reinforced cement concrete and all decorations are of traditional Moroccan design. The construction work involved engagement of 35,000 workers and working of over 50 million hours. The mosque has capacity to accommodate 25,000 devotees for prayers in the main hall and another 80,000 in the plaza squares around it.
Notable architectural features include the conspicuous columns, the horseshoe-shaped arches, and the innumerable murqarnas embellishing the ceilings. The dome, arches and walls give a grand ambiance to the mosque. The first-class sound system is discreetly hidden. The ablution room and a vast public hammam are in the basement, with its own entrance. Tadelakt, a plastering technique which adds egg yolks and black soap into mixed plaster, was used in the hammam baths.
Read more about this topic: Hassan II Mosque
Famous quotes containing the words architecture and and/or architecture:
“Defaced ruins of architecture and statuary, like the wrinkles of decrepitude of a once beautiful woman, only make one regret that one did not see them when they were enchanting.”
—Horace Walpole (1717–1797)
“All architecture is great architecture after sunset; perhaps architecture is really a nocturnal art, like the art of fireworks.”
—Gilbert Keith Chesterton (1874–1936)