Harry Levin - Works

Works

  • The Broken Column (1931), Harvard undergraduate essay published by Cambridge UP
  • Ben Jonson, Selected Works (1938) editor
  • James Joyce: A Critical Introduction (1941)
  • Toward Stendhal (1945)
  • The Portable James Joyce (1947) editor
  • Toward Balzac (1947)
  • Perspectives of Criticism (1950) editor
  • The overreacher, a study of Christopher Marlowe (1952)
  • Symbolism and Fiction (1956)
  • Contexts of Criticism (1957)
  • The Power of Blackness: Hawthorne, Poe, Melville (1958)
  • The Question of Hamlet (1959)
  • Irving Babbitt and the Teaching of Literature (1960) Inaugural Lecture
  • The Scarlet Letter and other Tales of the Puritans by Nathaniel Hawthorne (1961) editor
  • The Gates of Horn: A Study of Five French Realists (1963)
  • The Comedy of Errors (1965) editor
  • Refractions: Essays in Comparative Literature (1966)
  • W
  • Playboys and Killjoys: An Essay on the Theory and Practice of Comedy (1988)

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Famous quotes containing the word works:

    There is a great deal of self-denial and manliness in poor and middle-class houses, in town and country, that has not got into literature, and never will, but that keeps the earth sweet; that saves on superfluities, and spends on essentials; that goes rusty, and educates the boy; that sells the horse, but builds the school; works early and late, takes two looms in the factory, three looms, six looms, but pays off the mortgage on the paternal farm, and then goes back cheerfully to work again.
    Ralph Waldo Emerson (1803–1882)

    I shall not bring an automobile with me. These inventions infest France almost as much as Bloomer cycling costumes, but they make a horrid racket, and are particularly objectionable. So are the Bloomers. Nothing more abominable has ever been invented. Perhaps the automobile tricycles may succeed better, but I abjure all these works of the devil.
    Henry Brooks Adams (1838–1918)

    The slightest living thing answers a deeper need than all the works of man because it is transitory. It has an evanescence of life, or growth, or change: it passes, as we do, from one stage to the another, from darkness to darkness, into a distance where we, too, vanish out of sight. A work of art is static; and its value and its weakness lie in being so: but the tuft of grass and the clouds above it belong to our own travelling brotherhood.
    Freya Stark (b. 1893–1993)