Harry Levin - Works

Works

  • The Broken Column (1931), Harvard undergraduate essay published by Cambridge UP
  • Ben Jonson, Selected Works (1938) editor
  • James Joyce: A Critical Introduction (1941)
  • Toward Stendhal (1945)
  • The Portable James Joyce (1947) editor
  • Toward Balzac (1947)
  • Perspectives of Criticism (1950) editor
  • The overreacher, a study of Christopher Marlowe (1952)
  • Symbolism and Fiction (1956)
  • Contexts of Criticism (1957)
  • The Power of Blackness: Hawthorne, Poe, Melville (1958)
  • The Question of Hamlet (1959)
  • Irving Babbitt and the Teaching of Literature (1960) Inaugural Lecture
  • The Scarlet Letter and other Tales of the Puritans by Nathaniel Hawthorne (1961) editor
  • The Gates of Horn: A Study of Five French Realists (1963)
  • The Comedy of Errors (1965) editor
  • Refractions: Essays in Comparative Literature (1966)
  • W
  • Playboys and Killjoys: An Essay on the Theory and Practice of Comedy (1988)

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Famous quotes containing the word works:

    “Separatism of any kind promotes marginalization of those unwilling to grapple with the whole body of knowledge and creative works available to others. This is true of black students who do not want to read works by white writers, of female students of any race who do not want to read books by men, and of white students who only want to read works by white writers.”
    —bell hooks (b. 1955)

    “A creative writer must study carefully the works of his rivals, including the Almighty. He must possess the inborn capacity not only of recombining but of re-creating the given world. In order to do this adequately, avoiding duplication of labor, the artist should know the given world.”
    —Vladimir Nabokov (1899–1977)

    “We all agree now—by “we” I mean intelligent people under sixty—that a work of art is like a rose. A rose is not beautiful because it is like something else. Neither is a work of art. Roses and works of art are beautiful in themselves. Unluckily, the matter does not end there: a rose is the visible result of an infinitude of complicated goings on in the bosom of the earth and in the air above, and similarly a work of art is the product of strange activities in the human mind.”
    —Clive Bell (1881–1962)