Haroun and The Sea of Stories - Characters in The Book

Characters in The Book

Haroun: The main character/central consciousness of the story. A young, curious, courageous, outspoken child. He struggles throughout most of the story with a form of attention-deficit disorder, and under its influence he is unable to concentrate for a longer period of time (not more than eleven minutes). But he eventually overcomes his disorder at the climax, never to suffer from it again.

Rashid: Haroun's father, also known as the Shah of Blah and the Ocean of Notions for his ability to create fascinating stories impromptu. Rashid is a professional storyteller who is sometimes hired by corrupt politicians to persuade constituents that they should be re-elected. His attachment to his wife and to his practice of storytelling, is probably his greatest psychological weaknesses; when either of them is lost, he becomes depressed and tends to lose the other. In the story, to recover the latter, he travels to Kahani by means known as 'Rapture', through which he is able to travel inside his dreams and wake up in the world, his dream has created. This method consists of consuming "moonberries, comet's tails, planet rings, primal soup". Having reached Kahani, he alerts the Guppees about the location of their Princess Batcheat and later joins their army to rescue her from the Chupwalas who had captured her.

Soraya: Rashid's wife, who is tired of his imagination and leaves him for the dull and dreary Mr. Sengupta, a neighbor. That she is becoming alienated from Rashid is implied early in the story, where she is said to have abandoned her daily songs. At the end, she returns to Rashid, after being disgusted by Mr. Sengupta's obnoxious behavior, and revives her affection for her husband and son. Upon her return, the depression overwhelming Rashid and the unusual syndrome manifested by Haroun both dissolve and do not reappear. Her name is probably Persian in origin.

Mr. Sengupta: The dreary man who is Haroun's neighbor, and who elopes with Soraya. As a rule, Mr. Sengupta despises imagination and stories, which sets the stage for his later appearance on Kahani as antagonist Khattam-Shud, to whom he is evidently identical. Khattam-Shud's defeat seems to correspond with Soraya's desertion of Mr. Sengupta, who does not appear again in person. His name is a legitimate Indian Bengali surname.

Miss Oneeta: Mr. Sengupta's obese, talkative, self-important, overwhelmingly emotional, generous wife, who is so disappointed in her husband after he has eloped with Soraya. In her dismay, she disowns him and her married name. It is she who reveals that Soraya's has deserted her family and that her act has given Haroun his disorder, and also announces her return.

Mr. Butt: The mail courier, a reckless driver who, when requested to provide transport for Haroun and Rashid (who is expected to speak at an election of public officers), ignores all other demands so as to take them to their destination before dusk. He is implied to be the counterpart of the Hoopoe, who also serves as Haroun's transportation.

Snooty Buttoo: A corrupt politician who hires Rashid to convince constituents that he (Buttoo) should be re-elected. Buttoo is a class-conscious, pompous, arrogant, self-assured, insincere and a callous person whose chief hold over his constituents is that he has been re-elected before. To persuade Rashid to sympathize with him, he offers both Rashid and Haroun a stay on a luxurious houseboat called 'The Arabian Nights Plus One'. When Buttoo learns that Soraya has deserted Rashid, he dismisses Rashid's misery, remarking that "there are plenty more fish in the sea", as if to indicate that in Soraya's absence Rashid may find another companion. Buttoo ultimately commits suicide.

Butt the Hoopoe: A machine in the form of a Hoopoe (a bird) who becomes Haroun's steed in Kahani. He possesses a mechanical brain which is capable of almost all known mental feats, including telepathy. The latter is used throughout his role, producing a recurrent joke wherein his spoken lines are followed by the statement that he "spoke without moving beak". This ability also appears in scenes wherein he replies to Haroun's unspoken thoughts, which sometimes move in synchronity with the narration. He is shown to be capable of flying at impossible speeds, traveling between Earth and Kahani, and answering to any name preferred by his rider. Because he shares with Mr. Butt the idiosyncrasy of saying "but but but" at the beginning of sentences, in addition to some superficial details of appearance, he is called by the same name. At his introduction, he is described as "the bird that leads all other birds through many dangerous places to their ultimate goal".

Iff: A "water genie" from Kahani who accompanies Haroun in Kahani. Iff's task is to control Rashid's supply of Words, which appears in the form of waters transmitted to Rashid via an invisible faucet by a means that is never revealed, but which is called a "Process Too Complicated To Explain". Iff himself is a benevolent character having a blue mustache and beard; an effusive, somewhat cantankerous personality; and a habit of speaking in lists of synonyms.

Prince Bolo: A possible parody of the archetypal awe-inspiring hero or Prince Charming, Bolo is the fiancée of Princess Batcheat (see below) and the only person to believe that she is a beauty. Bolo is a reckless, slightly stupid, melodramatic figure who is nominally the leader of the charge to rescue the captured Batcheat from Chup, but who wields little authority; who is prone to becoming excited at the least provocation; who is obsessed with rescuing Batcheat, so that all other things appear to him as of little significance; who frequently draws his sword when it is unwise to fight; who extends diplomatic immunity to an assassin bent on killing him; and who gives the impression to readers of being somewhat out of harmony with the realities of his situations.

Princess Batcheat: A damsel in distress. Batcheat is the daughter of King Chattergy, ruler of Gup, and the fiancée of Prince Bolo, whose affiliations are unknown. She is somewhat foolish; romantic; reckless; and completely infatuated with Bolo, who is the only person to think her beautiful; all other characters have low opinions of her nose, teeth, and singing voice. Most references (including, in one passage, those of the narration) to any of these conform to this pattern: "... that nose, those teeth — but there's no need to go into that". The narrator evidently follows his own advice, for no graphic description is given of Batcheat's face at all. Her name is a multi-faceted pun: being pronounced "Baat-cheat", it is to be translated as "conversation", whereas non-Hindi speaking readers would identify the meaning by relating it to Prince Bolo's obsession for the Princess. When Princess Batcheat is captured by Chupwalas during an excursion to the border between Gup and Chup, they plot to sew her mouth shut and rename her Khamosh, meaning "silent", but never carry this out.

General Kitab: Literally "General Book". General Kitab is the commander of the Guppee Army. It consists of a multitude of Knights. The General participates in every debate regarding the worth of the cause on which the army has embarked, and frequently foments such debates on purpose to resolve all conflict of interest or opinion. The whole army, therefore, takes part in every campaign of a gigantic Rogerian argument, whose sole aim is to produce conciliation and eventual unity among the Knights. Because Guppee laws permit an unlimited freedom of speech, these debates are unrestrained to an extent that would (as Haroun remarks) be considered insubordination in the reader's real world. General Kitab himself is often flustered and embarrassed by Prince Bolo's impetuosity, to which he responds by using colorful language and attempting to rectify a damaged situation.

King Chattergy: Princess Batcheat's father and Prince Bolo's father-in-law, a symbolic figure who forms the nominal head of Gup's government but has little real power. He is given very little role in most of the story. The Wall dividing Gup from Chup is named after him, although he is stated to have had no involvement with its creation. His name is a legitimate name in India, though usually spelled Chatterjee.

Blabbermouth: A Women Knight of the Army of Gup. Blabbermouth is a talkative, ill-tempered, contemptuous, stubborn, unscrupulous, quarrelsome girl who despises Princess Batcheat, disguises herself as a boy, and is skilled at the art of juggling, which Haroun compares to storytelling. Blabbermouth joins the army of Gup to march on Chup, but is later exposed as a girl and expelled from the army by Bolo. She then becomes aide to Mudra, an ally of the Guppees, with whom she is implied to be infatuated. Haroun is said to have a soft spot for her, but never confesses it. He is, however, extremely pleased after she kisses him.

Mudra: Second-in-command to Khattam-Shud, who becomes disgruntled with his master's policies and defects to the Guppee side. His shadow, like the shadows of each and every person in Chup, can behave independently of himself and is therefore his sidekick. Mudra himself is an able warrior skilled in the art of hand-to-hand combat. He is described as having green paint and exaggerated features covering his face; as being clad in bulky armor that increases his appearance of size; and as having eyes that are white at the pupil, grey at the iris, and black at upon the larger surface of the eyeball. Such eyes are common to all Chupwalas, and are entirely blind in bright light, being given their vision by the reflection of darkness from objects. Mudra is nearly mute, being able only to communicate his own name and the fact that he "speaks" by means of Abhinaya, a type of sign language used in classical Indian dance. His own name is said in the appendix to be the generic term for all signs used in this language. After the climax, Mudra becomes President of Chup. The question of whether or not he reciprocates Blabbermouth's infatuation is never answered.

Khattam-Shud: The villain of the story, whose name means "completely finished". He represents silence, and is therefore said to be invoked at the termination of every story told. As a character, he is the "Prince of Silence and the Foe of Speech" feared by most Guppees. He is the ruler of Chup, the Kahanian counterpart of Mr. Sengupta, and the founder of a religion whose supreme commandment is abstinence from speech. The corporeal Khattem-Shud gets crushed by the head of the Statue of Bezaban at the end.

The Eggheads: Originally a derogative name for an enthusiast in some subject, the term here describes the technicians of Kahani, who are white-coated, completely bald, enthusiastic, cheerful, and intelligent. The Eggheads of Gup City are said to be the inventors of all "Processes Too Complicated To Explain", by which impossible feats such as Kahani's bizarre orbit, the creation of artificial happy endings for stories, and the transmission of "story water" to Earthly storytellers are easily accomplished. They are quite in awe of their superintendent, the Walrus, for his possession of a mustache.

Walrus: The superintendent of the Eggheads, distinguished from them by his possession of a small mustache which gives him his name.

Plentimaw Fish: Large, shark-like Angelfish living in the waters near Gup, which is built on several islands. The name is derived from their multiplicity of mouths, through which they constantly ingest the stories conveyed by the waters. Inside their bodies, the stories are then mixed, producing new stories that join the canon of all the stories ever told. It is never suggested that the stories they ingest are destroyed or weakened. A typical Plentimaw Fish is extremely talkative through all of its mouths, though pollution in the Sea of Stories can cause it to speak through only one at a time. Plentimaw Fish mate for life and always travel in pairs, which then speak in rhyme. The name is also used to assonate with Buttoo's statement that "there are plenty more fish in the sea", whereas the angelfish-like physique of the two recalls to Haroun's mind (and therefore to the reader's) Rashid's reply that " must go a long, long way to find an Angel Fish", which Haroun can be said to have done by traveling to Kahani. The two Plentimaw Fish present in the story, Goopy and Bagha, travel with Haroun, Iff, Butt, and Mali (see below) to the North Pole, and help cleanse the waters.

Mali: A 'Floating Gardener' composed of interwoven flowering vines and water plants that behave as a single organism. He is one of many, whose task is to prevent stories from becoming irretrievably convoluted and to cut away weeds that grow on the Ocean's surface. Floating Gardeners are divided into a hierarchy of classes, of which Mali belongs to the First Class; presumably the highest. Mali, and presumably other Floating Gardeners, is virtually invulnerable, being able to withstand any and all attacks made against him by the Chupwalas. Though normally taciturn by human standards, he is shown singing rhymes when defying the attacks. He helps cleanse the waters of the poison.