Harold Searles - On "The Effort To Drive The Other Person Crazy"

On "The Effort To Drive The Other Person Crazy"

In an article of 1959, 'The Effort to Drive the Other Person Crazy', Searles examined six modes of interpersonal communication, arguing that “each of these techniques tends to undermine the other person's confidence in his own emotional reactions and his own perception of reality”. Among these techniques were switching emotional wavelengths while discussing the same topic; and dealing with different topics (life and death/trivial) while remaining on the same wavelength.

Such attempts at crazy-making were often applied by patients to therapists, who had the task of enduring them without retaliation. Searles added moreover that it was important for the therapist to survive their own wish to kill the patient.

Read more about this topic:  Harold Searles

Famous quotes containing the words effort, drive, person and/or crazy:

    What chiefly distinguishes the daily press of the United States from the press of all other countries is not its lack of truthfulness or even its lack of dignity and honor, for these deficiencies are common to the newspapers everywhere, but its incurable fear of ideas, its constant effort to evade the discussion of fundamentals by translating all issues into a few elemental fears, its incessant reduction of all reflection to mere emotion. It is, in the true sense, never well-informed.
    —H.L. (Henry Lewis)

    David: All the reporters are on the bus.
    Lucas: Okay, start the bus then. And drive them over a cliff.
    Jeremy Larner, U.S. screenwriter, and Michael Ritchie. David (Chris Prey)

    If a thousand fingers accuse, even a healthy person can die.
    Chinese proverb.

    The present era grabs everything that was ever written in order to transform it into films, TV programmes, or cartoons. What is essential in a novel is precisely what can only be expressed in a novel, and so every adaptation contains nothing but the non-essential. If a person is still crazy enough to write novels nowadays and wants to protect them, he has to write them in such a way that they cannot be adapted, in other words, in such a way that they cannot be retold.
    Milan Kundera (b. 1929)