Theatre Program
Harand Camp adheres to a non-competitive philosophy where everyone is a star (the primary goal is for all campers to build self-confidence & self-esteem). In preparation for final performances, campers take daily classes in singing, dancing, and dramatics in the morning or afternoon. Occasional rehearsals are held in the evening (alternating with activities & events). Each session then culminates with a large-scale performance for friends, family, and alumni in a state-of-the-art theatre.
One Week Session (Workshop) - Campers can get a taste of the Harand experience with a newly-created one-week program. These campers enjoy the same arts and recreation activities as the first three-week session campers, culminating in a Workshop performance featuring selections from that session's Pageant (see below). This option is perfect for children who have never been away from home and want to try camp without committing to a full three weeks (though they do have the option to stay for the full session).
First 3-Week Session (Pageant) - Campers participate in a full-length musical revue involving the entire camp. Each age group prepares two sections of non-stop singing and dancing and appear on stage no less than three times. Past Harand Camp pageants include: Tributes to Irving Berlin, George Gershwin, Movie Musicals, Women of Broadway, the Tony Awards, Broadway Rock Musicals, etc.
Second 3-Week Session (Shows) - During the second three weeks, each age group prepares a full-length show. Unlike at other camps, Haranders have the chance to take on leading roles, as well as learn how to be a part of the ensemble – ensuring that every camper receives the full musical theatre experience.
Read more about this topic: Harand Camp Of The Theatre Arts
Famous quotes containing the words theatre and/or program:
“Compare ... the cinema with theatre. Both are dramatic arts. Theatre brings actors before a public and every night during the season they re-enact the same drama. Deep in the nature of theatre is a sense of ritual. The cinema, by contrast, transports its audience individually, singly, out of the theatre towards the unknown.”
—John Berger (b. 1926)
“Having behind us the producing masses of this nation and the world, supported by the commercial interests, the labor interests, and the toilers everywhere, we will answer their demand for a gold standard by saying to them: You shall not press down upon the brow of labor this crown of thorns, you shall not crucify mankind upon a cross of gold.”
—Administration in the State of Neva, U.S. public relief program (1935-1943)