Work
Hans-Peter Feldmann is a figure in the conceptual art movement and practitioner in the artist book and multiple formats. Feldmann's approach to art-making is one of collecting, ordering and re-presenting amateur snapshots, print photographic reproductions, toys and trivial works of art. Feldmann reproduces and recontextualizes our reading of them in books, postcards, posters or multiples.
Feldmann made his first series of books between 1968 and 1971. Works from the early 1970s include 70 snapshots depicting All the Clothes of a Woman and four Time Series projects including, for example, a row of 36 pictures of a ship moving along a river. Feldmann's series Photographs Taken From Hotel Room Windows While Traveling clusters 108 nondescript, unframed snapshots of buildings, streets and parking lots. (Like other Feldmann projects, this calls to mind Ed Ruscha's photographic catalogs.) 11 Left Shoes presents 11 shoes borrowed from 303 Gallery employees, in a row on the floor. Que Sera has the words of the song of that title handwritten on the wall. Bed With Photograph simulates part of a hotel room with a slept-in bed, a side table and a framed photograph of a woman in leopard-print pants.
Feldman's photographic essays might have a more intimate singularity in book form. His bookSecret Picturebook (1973) -- is a thick, densely printed, scholarly tome with little pictures of women's torsos in sexy underwear inserted at intervals. It most pointedly embodies the artist's mischievous relationship to high culture. Another book, “1967-1993 Die Toten” reproduces images from newspapers of all of the lives lost due to the violence and terrorism that permeated contemporary German history.
Creating carefully conceived installations from everyday images is what Feldmann is best known for. In 2004-5 MoMA P.S. 1 showed “100 Years,” an exhibition made up of 101 photographic portraits of people ages 8 months to 100 years. And at the International Center of Photography in 2008 he filled a room with the framed front pages of 100 newspapers — from New York, Paris, Dubai, Sydney, Seoul and elsewhere — printed on Sept. 12, 2001.
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Famous quotes containing the word work:
“Every great work of art has two faces, one toward its own time and one toward the future, toward eternity.”
—Daniel Barenboim (b. 1942)
“... you can have a couple of seconds to rest in. I mean seconds. You have about two seconds to wait while the blanker is on the felt drawing the moisture out. You can stand and relax those two seconds—three seconds at most. You wish you didn’t have to work in a factory. When it’s all you know what to do, that’s what you do.”
—Grace Clements, U.S. factory worker. As quoted in Working, book 5, by Studs Terkel (1973)
“The work of the world is common as mud.
Botched, it smears the hands, crumbles to dust.
But the thing worth doing well done
has a shape that satisfies, clean and evident.
...
The pitcher cries for water to carry
and a person for work that is real.”
—Marge Piercy (b. 1936)