Poetry
Hàn Mặc Tử's early poems - praised by Phan Bội Châu - are famous for their purity of diction and form, and show him to be a fluent Classicist with a strong interest in realistic subjects. Subsequently, his poetry showed the influence of French Symbolism, and after he fell sick, became increasingly violent and despondent. Personal despair combined with the search for poetic novelty led him to found the short-lived "Disordered" (Loạn) or "Mad" (Ðiên) school of poetry. More than a love poet, Hàn Mặc Tử was a Modernist, who sought to fuse, in a new poetic language, disparate traditions and experiences. Beginning with poems that refreshed the Classical tradition, he went on to absorb the French influence, which he directed toward the turbulence of his own painful history. His language, increasingly tortured, remained both Classical and innovative throughout; and though a Catholic, he made frequent use of Buddhist ideas and imagery.
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“The base of all artistic genius is the power of conceiving humanity in a new, striking, rejoicing way, of putting a happy world of its own creation in place of the meaner world of common days, of generating around itself an atmosphere with a novel power of refraction, selecting, transforming, recombining the images it transmits, according to the choice of the imaginative intellect. In exercising this power, painting and poetry have a choice of subject almost unlimited.”
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