Production
- Casting and filming
Eileen Herlie, who plays Hamlet's mother, was 28 years old when the movie was filmed. Olivier, who plays her son, was 40.
Olivier played the voice of the Ghost himself by recording the dialogue and playing it back at a reduced speed, giving it a haunted, other-worldly quality. However, for many years it was assumed, even in film reference books, that John Gielgud had played the voice of the Ghost. Gielgud would go on to play this role in three later productions - the 1964 film and stage versions of Richard Burton's Hamlet, the 1970 telecast of the Hallmark Hall of Fame production starring Richard Chamberlain, and a 1994 radio production starring Kenneth Branagh.
The film marked the only screen appearance of Jean Simmons in a Shakespearean role.
- Cinematography
The cinematography, by Desmond Dickinson, makes use of the deep focus photography previously popularized in films directed by William Wyler and Orson Welles.
- Music
The music was composed by William Walton and, next to his score for Olivier's 1944 film Henry V, has become his most celebrated film score.
- Editor
The movie was edited by Helga Cranston.
Read more about this topic: Hamlet (1948 film)
Famous quotes containing the word production:
“The heart of man ever finds a constant succession of passions, so that the destroying and pulling down of one proves generally to be nothing else but the production and the setting up of another.”
—François, Duc De La Rochefoucauld (1613–1680)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)
“Perestroika basically is creating material incentives for the individual. Some of the comrades deny that, but I can’t see it any other way. In that sense human nature kinda goes backwards. It’s a step backwards. You have to realize the people weren’t quite ready for a socialist production system.”
—Gus Hall (b. 1910)