Production
In 1990, screenwriter, and long-time Halloween fan, Daniel Farrands, had set out to write the sixth entry in the Halloween series. Farrands gave his horror movie scripts to the producer of Halloween 5, Ramsey Thomas; impressed by his writing, Thomas set a meeting for Farrands with executive producer Moustapha Akkad. Farrands described the meeting:
| “ | I spent weeks preparing for the meeting and came in with a huge notebook filled with HALLOWEEN research – I had the entire series laid out in a timeline, a bio of every character, a "family tree" of the Myers and Strode clans, as well as all of the research I had compiled about the runic symbol (Thorn) that was briefly shown in "Halloween 5." I then laid out how I thought all of this might be explored in HALLOWEEN 6. | ” |
Although the producers at the time had already sought to make a sixth Halloween film, a series of complicated legal battles ensued which delayed plans for a sequel; eventually Miramax Films (via its Dimension Films division) bought the rights to the Halloween franchise.
Read more about this topic: Halloween: The Curse Of Michael Myers
Famous quotes containing the word production:
“[T]he asphaltum contains an exactly requisite amount of sulphides for production of rubber tires. This brown material also contains “ichthyol,” a medicinal preparation used externally, in Webster’s clarifying phrase, “as an alterant and discutient.””
—State of Utah, U.S. public relief program (1935-1943)
“... if the production of any commodity necessitates the sacrifice of human life, society should do without that commodity, but it can not do without that life.”
—Emma Goldman (1869–1940)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)