Career
Todd played a homeless character, “The Kid,” on a Christmas episode of the sitcom, Growing Pains. She played Penny Waters, the daughter of fictional former football player Joe Waters on the Showtime comedy series Brothers, which is her longest lasting role. In 1990, a year after Brothers left the air, Todd moved into her next sitcom role as spunky writer-and-aspiring-comedian Kate Griffin on Going Places. Later roles include Lal, Data’s “daughter,” on the Star Trek: The Next Generation episode "The Offspring;" Blanche's niece, Lucy, on the The Golden Girls episode "Nice and Easy;" the mother in the Disney Channel original movie The Ultimate Christmas Present; Hilda's and Zelda’s cousin Marigold, Amanda's mother, on Sabrina, the Teenage Witch; and—Lizzie's mother, Jo McGuire, on Lizzie McGuire.
Todd subsequently appeared frequently on VH1, providing comedic commentary. She also starred in numerous Murder, She Wrote episodes. As of October 2010, Todd was slated to appear in a starring role in the film The Mooring, which she co-wrote with her husband and daughter. The film is expected to be released in 2012.
Todd is the co-founder of the film production company In House Media and the Hallie Todd Studios acting conservatory, the latter of which is devoted to training young actors.
Read more about this topic: Hallie Todd
Famous quotes containing the word career:
“I’ve been in the twilight of my career longer than most people have had their career.”
—Martina Navratilova (b. 1956)
“A black boxer’s career is the perfect metaphor for the career of a black male. Every day is like being in the gym, sparring with impersonal opponents as one faces the rudeness and hostility that a black male must confront in the United States, where he is the object of both fear and fascination.”
—Ishmael Reed (b. 1938)
“I seemed intent on making it as difficult for myself as possible to pursue my “male” career goal. I not only procrastinated endlessly, submitting my medical school application at the very last minute, but continued to crave a conventional female role even as I moved ahead with my “male” pursuits.”
—Margaret S. Mahler (1897–1985)