Half-diminished Seventh Chord

In music theory, the half-diminished seventh chord, also known as a half-diminished chord or a minor seventh flat five (m7♭5), is created by taking the root, minor third, diminished fifth and minor seventh (1, ♭3, ♭5 and ♭7) of any major scale; for example, C half-diminished is (C E♭ G♭ B♭). Its consecutive intervals are minor 3rd, minor 3rd, major 3rd. In diatonic harmony, the half-diminished chord naturally occurs on the 7th scale degree (for example, Bø7) in C major). By the same virtue, it also occurs on the second degree of natural minor (e.g. Dm7 (♭5) in C minor). It occurs as a leading-tone seventh chord in major and can be represented by the integer notation {0, 3, 6, 10}. It has been described as a "considerable instability".

Read more about Half-diminished Seventh Chord:  Chord Symbols and Terminology, Function, Half-diminished Seventh Chord Table

Famous quotes containing the words seventh and/or chord:

    Hearing the low sound
    of a cloud scattering rain
    at midnight
    and thinking for an eternity
    on his absent young wife,
    a traveller heaved a sigh
    and with a flood of tears
    howled the whole night long.
    Now, villagers won’t let him stay
    in their place anymore.
    Amaru (c. seventh century A.D.)

    Love took up the glass of Time, and turned it in his glowing hands;
    Every moment, lightly shaken, ran itself in golden sands.
    Love took up the harp of Life, and smote on all the chords with
    might;
    Smote the chord of Self, that, trembling, passed in music out of sight.
    Alfred Tennyson (1809–1892)