Music
The musical score was written by Elton John and the lyrics by Tim Rice. In the film the song is sung by Timon (a meerkat voiced by Nathan Lane), Pumbaa (a warthog voiced by Ernie Sabella), and Simba, a young lion voiced by Jason Weaver (singing voice as a cub) and Joseph Williams (as an adult). The two main comedy characters in the film, (Timon and Pumbaa), talking about moving on from their troubled past and forgetting their worries. The song also provides a backstory for Pumbaa, explaining that he was ostracized from animal society for his excessive flatulence. It contains several breaks at which the music grinds to a halt and then starts again. It makes use of a large proportion of the orchestra as well as many other more unusual instruments including an elaborate drum kit.
A second version of the song, produced for the companion album Rhythm of the Pride Lands, was performed by Jimmy Cliff featuring Lebo M. This version of the song is slightly modified the previously unreleased verse focusing on Timon's past being partially rewritten with a different instrument arrangement but remains very similar to the original. It was released as a single with "He Lives in You" as a B-side, and was ultimately used in the Broadway theatrical version of The Lion King.
Read more about this topic: Hakuna Matata (song)
Famous quotes containing the word music:
“The harp that once through Taras halls The soul of music shed, Now hangs as mute on Taras walls As if that soul were fled.”
—Thomas Moore (17791852)
“His style is eminently colloquial, and no wonder it is strange to meet with in a book. It is not literary or classical; it has not the music of poetry, nor the pomp of philosophy, but the rhythms and cadences of conversation endlessly repeated.”
—Henry David Thoreau (18171862)
“As for the terms good and bad, they indicate no positive quality in things regarded in themselves, but are merely modes of thinking, or notions which we form from the comparison of things with one another. Thus one and the same thing can be at the same time good, bad, and indifferent. For instance music is good for him that is melancholy, bad for him who mourns; for him who is deaf, it is neither good nor bad.”
—Baruch (Benedict)