The Twentieth Century
The twentieth century opened with the creation of the magazine La Ronde by Pétion Gérome in 1895. The poets in this intimate and delicate school (Etzer Vilaire, Georges Sylvain) continued to use France as a point of reference. This vein continued during the first part of the 20th century with poets such as Dantès Bellegarde and Ida Faubert.
The American occupation, starting 1915, was a shock. The génération de la gifle (slap generation) created successive militant literary magazines: La Revue de la ligue de la jeunesse haïtienne (1916), La Nouvelle Ronde (1925), and above all La Revue indigène (1927). The Indigeniste movement, through its founder Jean Price-Mars invited writers to start creating rather than imitating, that is to draw from the African roots of the Haitian people. The resistance was also expressed in the oral culture, stories, traditions and legends.
At the same time, social realism in literature was advanced by Jacques Roumain (Gouverneurs de la rosée, 1944) and René Depestre. The novel depicted the darkness of peasant life in the country. Stephen Alexis, René Depestre, and Gérald Bloncourt founded the magazine La Ruche in 1945.
In 1946, André Breton was appointed by the Director of Cultural Affairs in Paris to establish relations with Haitian intellectuals.
In the midst of a student strike opposing the Lescot government, their speeches resonated with the insurgents, led in particular by René Depestre. However, the surrealist influence on Haitian literature remained small, though real. It is, for example, openly claimed by Magloire Saint-Aude, collaborator of Griots.
The réalisme merveilleux of René Depestre and Jacques Stephen Alexis in the 1950s would be much more fruitful. Contemporary Haitian literature is part of the Francophone literature as well as the Latin American culture.
Read more about this topic: Haitian Literature
Famous quotes containing the words twentieth century and/or twentieth:
“Hastiness and superficiality are the psychic diseases of the twentieth century, and more than anywhere else this disease is reflected in the press.”
—Alexander Solzhenitsyn (b. 1918)
“Film is more than the twentieth-century art. It’s another part of the twentieth-century mind. It’s the world seen from inside. We’ve come to a certain point in the history of film. If a thing can be filmed, the film is implied in the thing itself. This is where we are. The twentieth century is on film.... You have to ask yourself if there’s anything about us more important than the fact that we’re constantly on film, constantly watching ourselves.”
—Don Delillo (b. 1926)