Books
Sabzevari wrote numerous works in Persian and Arabic. His wrote works deleaing with array of subjects from prosody to logic to theology. However, the majority of his works deal with philosophy and mysticism.
- Šarḥ al-manẓuma, is a work in Arabic also known as Ḡorar al-farāʾed. It is one of his more notable books which was completed around 1845. Till this day, it is still thought in religious seminaries in Iran with numerous later commentaries. The work is a versified summary and commentary of the transcendence philosophy of Mulla Sadra.
- Asrār al-ḥekam fi’l-moftataḥ wa’l-moḵtatam
- Šarḥ-e abyāt-e moškela-ye Maṯnawi in Persian is a commentary of the Mathnawi of Mowalana Jalal al-Din Rumi
- Hedāyat al-ṭālebin, a book composed in Persian at the request of Nasir al-Din Shah Qajar
- Ta'liqat
- Asrar ol-Ebadah
- Aljabr wal ekhtiar
- Osul ad-Din
- Nebrās al-hodā
- A poem cycle
Read more about this topic: Hadi Sabzavari
Famous quotes containing the word books:
“After I discovered the real life of mothers bore little resemblance to the plot outlined in most of the books and articles I’d read, I started relying on the expert advice of other mothers—especially those with sons a few years older than mine. This great body of knowledge is essentially an oral history, because anyone engaged in motherhood on a daily basis has no time to write an advice book about it.”
—Mary Kay Blakely (20th century)
“I am an inveterate homemaker, it is at once my pleasure, my recreation, and my handicap. Were I a man, my books would have been written in leisure, protected by a wife and a secretary and various household officials. As it is, being a woman, my work has had to be done between bouts of homemaking.”
—Pearl S. Buck (1892–1973)
“Our books are false by being fragmentary: their sentences are bon mots, and not parts of natural discourse; childish expressions of surprise or pleasure in nature; or, worse, owing a brief notoriety to their petulance, or aversion from the order of nature,—being some curiosity or oddity, designedly not in harmony with nature, and purposely framed to excite surprise, as jugglers do by concealing their means.”
—Ralph Waldo Emerson (1803–1882)