Hackney Canal - Points of Interest

Points of Interest

Point Coordinates
(Links to map resources)
OS Grid Ref Notes
Hackney Clay Cellars 50°32′34″N 3°35′54″W / 50.5429°N 3.5983°W / 50.5429; -3.5983 (Hackney Clay Cellars) SX868726 Northern terminus
Newton Abbot racecourse crossing 50°32′27″N 3°35′42″W / 50.5409°N 3.5950°W / 50.5409; -3.5950 (Newton Abbot racecourse crossing) SX870724 North side
Site of lock 50°32′19″N 3°35′31″W / 50.5386°N 3.5919°W / 50.5386; -3.5919 (Site of lock) SX872721
Junction with Hackney Channel 50°32′20″N 3°35′20″W / 50.5389°N 3.5888°W / 50.5389; -3.5888 (Junction with Hackney Channel) SX875722 River Teign


Map of all coordinates from Google
Map of first 200 coordinates from Bing
Export all coordinates as KML
Export all coordinates as GeoRSS
Map of all microformatted coordinates
Place data as RDF

Read more about this topic:  Hackney Canal

Famous quotes containing the words points of, points and/or interest:

    He is the best sailor who can steer within the fewest points of the wind, and extract a motive power out of the greatest obstacles. Most begin to veer and tack as soon as the wind changes from aft, and as within the tropics it does not blow from all points of the compass, there are some harbors which they can never reach.
    Henry David Thoreau (1817–1862)

    Wonderful “Force of Public Opinion!” We must act and walk in all points as it prescribes; follow the traffic it bids us, realise the sum of money, the degree of “influence” it expects of us, or we shall be lightly esteemed; certain mouthfuls of articulate wind will be blown at us, and this what mortal courage can front?
    Thomas Carlyle (1795–1881)

    Women hock their jewels and their husbands’ insurance policies to acquire an unaccustomed shade in hair or crêpe de chine. Why then is it that when anyone commits anything novel in the arts he should be always greeted by this same peevish howl of pain and surprise? One is led to suspect that the interest people show in these much talked of commodities, painting, music, and writing, cannot be very deep or very genuine when they so wince under an unexpected impact.
    John Dos Passos (1896–1970)