Works
H. Bustos Domecq was the original credited author of the parodic detective stories in Seis problemas para don Isidro Parodi, 1942 (translated 1981 as Six Problems for Don Isidro Parodi) and Dos fantasías memorables, 1946 (Two noteworthy fantasies).
Bustos was also the alleged author of Crónicas de Bustos Domecq, 1967, (translated 1976 as Chronicles of Bustos Domecq), and Nuevos Cuentos de Bustos Domecq (1977), even though the authors' actual names were featured on the covers of both books.
Under another pseudonym, "Benito Suárez Lynch" (both surnames were taken from the authors' illustrious ancestors), Borges and Bioy published the parodic mystery Un modelo para la muerte (A model for death) in 1946, featuring the characters of the Isidro Parodi stories.
The pair also did some collaborations without the use of the pseudonym, notably two movie scripts from 1955: Los orilleros (Slum-dwellers) and El paraíso de los creyentes (The Paradise of Believers). Both dealt with the exacerbated sense of manhood among the compadritos in the slums of Buenos Aires circa 1900.
The Bustos Domecq materials provided comic relief for cultivated Latin Americans, but also, famously, conveyed a subtle yet unambiguous pro-allied message in the 1942 edition of Parodi – which was not a surprise for people who knew the authors but was, nevertheless, a contrarian statement given the state of Argentine politics at the time.
Note: The Isidro Parodi appears as Isidoro in some editions.
Read more about this topic: H. Bustos Domecq
Famous quotes containing the word works:
“Again we mistook a little rocky islet seen through the “drisk,” with some taller bare trunks or stumps on it, for the steamer with its smoke-pipes, but as it had not changed its position after half an hour, we were undeceived. So much do the works of man resemble the works of nature. A moose might mistake a steamer for a floating isle, and not be scared till he heard its puffing or its whistle.”
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“We all agree now—by “we” I mean intelligent people under sixty—that a work of art is like a rose. A rose is not beautiful because it is like something else. Neither is a work of art. Roses and works of art are beautiful in themselves. Unluckily, the matter does not end there: a rose is the visible result of an infinitude of complicated goings on in the bosom of the earth and in the air above, and similarly a work of art is the product of strange activities in the human mind.”
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