Literary Themes and Style
Harwood's poetry has recurring themes of motherhood and the stifled role of women, particularly those of young mothers. Her poem "In the Park" established a certain feminist reputation but others of her poems treat motherhood in a more complex and nuanced way. Music is another recurring motif. The Tasmanian landscape, and Aboriginal dispossession of that landscape, form another theme in much of her writing. She also wrote series of poems with recurring characters, two of the most notorious being Professor Eisenbart and Kröte. Many of her poems also include biblical references and religious allusions.
The style and technique of Harwood's poetry has led to several of her works being employed by the New South Wales Board of Studies as prescribed texts for the High School Cerificate. Primary focus in the English course is placed on the analysis of the themes expressed in Harwood's poetry, and how such themes are relevant in modern society. Her work is also used as a text for the Victorian Certificate of Education and West Australian Certificate of Education Literature Courses in the poetry section for its literary value and complex themes.
Read more about this topic: Gwen Harwood
Famous quotes containing the words literary, themes and/or style:
“Plato—who may have understood better what forms the mind of man than do some of our contemporaries who want their children exposed only to “real” people and everyday events—knew what intellectual experience made for true humanity. He suggested that the future citizens of his ideal republic begin their literary education with the telling of myths, rather than with mere facts or so-called rational teachings.”
—Bruno Bettelheim (20th century)
“In economics, we borrowed from the Bourbons; in foreign policy, we drew on themes fashioned by the nomad warriors of the Eurasian steppes. In spiritual matters, we emulated the braying intolerance of our archenemies, the Shi’ite fundamentalists.”
—Barbara Ehrenreich (b. 1941)
“Many great writers have been extraordinarily awkward in daily exchange, but the greatest give the impression that their style was nursed by the closest attention to colloquial speech.”
—Thornton Wilder (1897–1975)