Guy Davis (musician) - The Blues

The Blues

For the past decade, Davis has concentrated much of his efforts on writing, recording, and performing music. In the fall of 1995, he released his Red House records debut Stomp Down Rider, an album that captured Davis in a stunning live performance. The album landed on top lists all over the country, including in the Boston Globe and Pulse magazine.

Davis' next album, Call Down the Thunder, paid tribute to the blues masters, but leaned more heavily towards his own powerful originals. It too was named a top ten album of the year in the Boston Globe and Pulse, and Acoustic Guitar called it one of the “thirty essential CDs from a new generation of performers”.

Davis' third Red House disc, You Don't Know My Mind, which includes backing vocals by Olu Dara, explodes with passion and rhythm, and displays Davis' breadth as a composer and powerhouse performer. It was chosen as ‘Blues Album of the Year’ by the Association For Independent Music (formerly NAIRD). The San Francisco Chronicle gave the CD four stars, adding, "Davis' tough, timeless vocals blow through your brain like a Mississippi dust devil."

Charles M. Young summed up Davis' own take on the blues best when he wrote his review in Playboy magazine, "Davis reminds you that the blues started as dance music. This is blues made for humming along, stomping your foot, feeling righteous in the face of oppression and expressing gratitude to your baby for greasing your skillet."

Davis’ fourth album was, Butt Naked Free, the first of all of the albums since that have been produced by John Platania, former guitarist for Van Morrison. In addition to John on electric guitar, it includes musician friends such as Levon Helm (The Band), multi-instrumentalist, Tommy “T-Bone” Wolk (Hall & Oates, Carly Simon, ‘Saturday Night Live’ Band), drummer Gary Burke (Joe Jackson), and acoustic bassist, Mark Murphy (Walt Michael & Co., Vanaver Caravan). The musicians all performed “Waitin’ On the Cards to Fall” from this album on the Conan O'Brien show.

Of the fifth album, Give In Kind, music critic Dave Marsh wrote, “Davis never loses sight of the blues as good time music, the original forum for dancing on top of one's sorrows. Joy made more exquisite, of course, by the sorrow from which it springs.”

It was this album that caught the ear of Ian Anderson, founder and lead singer of Jethro Tull, who invited Davis to open for them during the summer of 2003. He wrote in his invitation, “Folk Blues (Sonny Terry, J.B. Lenoir) is where I started. Hearing Guy is like coming home again.”

Many notables in the entertainment world who call themselves Davis fans include Jackson Browne, Maya Angelou, and Jessica Lange, who had Davis perform his cover version of the Bob Dylan song, “What’s a Sweetheart Like You (Doing in a Dump Like This)” for a special fundraiser she and her husband Sam Shepard organized for Tibetan monks in Minnesota.

Chocolate to the Bone, Davis’ sixth album, followed, with more accolades and acclaim including a W.C. Handy award nomination for “Best Acoustic Blues Album”. Davis has been nominated for nine ‘Handy Awards’ over the years including for “Best Traditional Blues Album”, “Best Blues Song” (“Waiting On the Cards to Fall”) and as “Best Acoustic Blues Artist” two times. His latest album, Legacy, was picked as one of the Best CDs of the Year by National Public Radio (NPR), and the lead track on it, “Uncle Tom’s Dead” was chosen as one of the Best Songs of the Year. This of course is ironic as FCC rules won’t allow it to be played on the air, but it’s a fitting tribute nonetheless. The only other artist on both lists was Brian Wilson of the Beach Boys fame.

The cover for this album was drawn by noted comic book artist and graphic illustrator, Guy Davis. The tongue-in-cheek cartoon strip that is included in the liner notes, is a collaboration between the two men. A winery in California completes the triumvirate as it is headed by a man also named Guy Davis (http://www.davisfamilyvineyards.com). He created a limited edition wine in their honor with the label artwork done by illustrator Guy.

Davis has contributed songs on a host of tribute and compilation albums, including collections on bluesmen Charley Patton and Robert Johnson, for Putumayo Records collections including, From Mali to Memphis and the children’s album called, Sing Along With Putumayo, for tradition-based rockers like the Grateful Dead, songwriters like Nick Lowe, and for Bob Dylan’s 60th birthday CD called, A Nod to Bob, even on a Windham Hill collection of choral music, and alongside performers like Bonnie Raitt, Jackson Browne, and Bruce Springsteen for a collection of songs written by his friend, legendary folksinger, ‘Uncle’ Pete Seeger, called, Where Have All the Flowers Gone.

However, easily the proudest recording project he’s been involved with is the one produced by his friend Larry Long, called I Will Be Your Friend: Songs and Activities for Young Peacemakers, in which Davis contributed the title track. It's a CD collection of enriching songs combined together with a teacher’s aid kit to help teach diversity and understanding. It is all part of the national “Teaching Tolerance” (www.tolerance.org) campaign and continues to be distributed by the Southern Poverty Law Center, and sent to every public school in the country to help combat hatred.

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Famous quotes containing the word blues:

    Holly Golightly: You know those days when you’ve got the mean reds?
    Paul: The mean reds? You mean like the blues?
    Holly Golightly: No, the blues are because you’re getting fat or maybe it’s been raining too long. You’re just sad, that’s all. The mean reds are horrible. Suddenly you’re afraid and you don’t know what you’re afraid of.
    George Axelrod (b. 1922)

    As one delves deeper and deeper into Etiquette, disquieting thoughts come. That old Is- It-Worth-It Blues starts up again softly, perhaps, but plainly. Those who have mastered etiquette, who are entirely, impeccably right, would seem to arrive at a point of exquisite dullness. The letters and the conversations of the correct, as quoted by Mrs. Post, seem scarcely worth the striving for. The rules for finding topics of conversation fall damply on the spirit.
    Dorothy Parker (1893–1967)