Acting
Throughout his life, Davis has had overlapping interests in music and acting. Early acting roles included a lead role in the 1984 film Beat Street opposite Rae Dawn Chong and on television as Dr. Josh Hall on One Life to Live from 1985 to 1986. Eventually, Davis had the opportunity to combine music and acting on the stage. He made his Broadway musical debut in 1991 in the Zora Neale Hurston/Langston Hughes collaboration Mulebone, which featured the music of Taj Mahal.
In 1993, he performed Off-Broadway as legendary blues player Robert Johnson in Robert Johnson: Trick the Devil. He received rave reviews and became the 1993 winner of the Blues Foundation's "Keeping the Blues Alive Award” presented to him by Robert Cray at the W.C. Handy Awards ceremony.
Davis creates his own work: looking for more ways to combine his love of blues, music, and acting, Davis created material for himself. He wrote In Bed with the Blues: The Adventures of Fishy Waters -- an engaging and moving one-man show. The Off-Broadway debut in 1994 received critical praise from The New York Times and the Village Voice.
Davis' writing projects have also included a variety of theatre pieces and plays. Mudsurfing, a collection of three short stories, received the 1991 Brio Award from the Bronx Council of the Arts. The Trial, (later renamed, The Trial: Judgement of the People), an anti-drug abuse, one-act play that toured throughout the New York City shelter system, was produced Off-Broadway in 1990, at the McGinn Cazale Theater. Davis also arranged, performed and co-wrote the music for an Emmy award winning film, To Be a Man. In the fall of 1995, his music was used in the national PBS series, The American Promise.
Read more about this topic: Guy Davis (musician)
Famous quotes containing the word acting:
“We don’t want bores in the theatre. We don’t want standardised acting, standard actors with standard-shaped legs. Acting needs everybody, cripples, dwarfs and people with noses so long. Give us something that is different.”
—Dame Sybil Thorndike (1882–1976)
“Acting is not about dressing up. Acting is about stripping bare. The whole essence of learning lines is to forget them so you can make them sound like you thought of them that instant.”
—Glenda Jackson (b. 1937)
“Its idea of “production value” is spending a million dollars dressing up a story that any good writer would throw away. Its vision of the rewarding movie is a vehicle for some glamour-puss with two expressions and eighteen changes of costume, or for some male idol of the muddled millions with a permanent hangover, six worn-out acting tricks, the build of a lifeguard, and the mentality of a chicken-strangler.”
—Raymond Chandler (1888–1959)