Theater Credits
- 1879 - The Cadets
- 1888 - Pearl of Pekin (libretto by Charles Alfred Byrne)
- 1890 - Castles in the Air (libretto by Byrne)
- 1893 - Little Christopher Columbus, with Ivan Caryll, libretto by George Robert Sims and Cecil Raleigh
- 1894 - Prince Kam or A Trip to Venus (libretto by Byrne and Louis Harrison)
- 1895 - Kismet or Two Tangled Turks (libretto by Richard F. Carroll)
- 1896
- In Gay New York (musical revue; libretto by Hugh Morton
- The Lady Slavey (libretto by George Dance; lyrics by Morton)
- An American Beauty (libretto by Morton)
- 1897
- The Whirl of the Town (musical revue; libretto by Morton)
- The Belle of New York (libretto by Morton)
- 1898
- My Estelle (libretto by Morton)
- Yankee Doodle Dandy (libretto by Morton)
- The Telephone Girl (libretto by Morton)
- 1899 – The Man in the Moon (with Ludwig Engländer and Reginald De Koven)
- 1901 - The Girl from Up There (libretto by Morton)
- 1902 - The Billionaire (libretto by Harry B. Smith)
- 1903
- "The Lobster Song (I Was Walking 'Round the Ocean)" in The Wizard of Oz (libretto by Morton)
- Winsome Winnie (contributor; libretto by Edward Jakobowski; most of the music by Harry Paulton)
- 1904
- Burning to Sing, or Singing to Burn. A 'Very' Grand Opera (libretto by R. H. Burnside)
- 1906
- The Social Whirl (libretto by Charles Doty and Joseph Herbert; lyrics by Herbert)
- The Tourists (libretto by R. H. Burnside)
- 1907
- The White Hen (libretto by Roderic C. Penfield; lyrics by Penfield and Paul West)
- Fascinating Flora (libretto by Burnside and Herbert)
- 1909
- Die oberen Zehntausend (libretto by Julius Freund)
- 1912 – Two Little Brides (libretto by Arthur Anderson and Harold R. Atteridge)
- 1921 – The Whirl of New York, based on The Belle of New York (libretto by Morton and Edgar Smith.
Read more about this topic: Gustave Kerker
Famous quotes containing the word theater:
“I want to give the audience a hint of a scene. No more than that. Give them too much and they wont contribute anything themselves. Give them just a suggestion and you get them working with you. Thats what gives the theater meaning: when it becomes a social act.”
—Orson Welles (19151984)