Gustave Courbet - Gallery

Gallery

  • Self-portrait with black dog, 1842

  • Bather Sleeping by a Brook, 1845, oil on canvas, The Detroit Institute of Arts

  • The man with a pipe Self-portrait, 1848-49

  • The kill of deer, 1867, Museum of Art, Besançon.

  • The Hammock, 1844

  • Zélie Courbet, 1847

  • Portrait of Charles Baudelaire, 1848-1849

  • The Stone Breakers, 1849

  • After Dinner at Ornans, 1849

  • Farmers of Flagey on the Return From the Market, 1850, Museum of Art, Besançon.

  • Portrait of Alfred Bruyas, 1854

  • The Meeting ("Bonjour, Monsieur Courbet"), 1854, Fabre Museum, Montpellier

  • The Rock of Ten Hours (to Ornans), 1855

  • The Pont Ambroix Languedoc, 1857

  • Louis Guéymard(1822–1880) as Robert le Diable, 1857, Metropolitan Museum of Art

  • Les Bas Blancs, (Woman with White Stockings), ca 1861 (Barnes Foundation)

  • Femme nue couchée, 1862

  • The Trellis, 1862, Toledo Museum of Art, Toledo, Ohio

  • Portrait of Countess Karoly 1865

  • Proudhon and his children, 1865

  • Sea Coast in Normandy, 1867

  • The Bather, 1868, Metropolitan Museum of Art, New York

  • The Source, 1868

  • The Wave, 1870

  • Cliffs at Etretat, After the Storm, 1870

  • Paul Verlaine, c. 1871

  • Stream in the Jura Mountains (The Torrent), 1872-3, Honolulu Museum of Art

  • Mountain landscape with fruit trees in Ornans, 1873

  • Gustave Courbet Les Gorges du Saillon, 1875, oil on canvas

  • The Castle of Blonay, c 1875

  • Entrée d'un gave (Source of a Mountain Stream), 1876, held at the Birmingham Museum of Art

  • Landscape, 1876, National Gallery for Foreign Art

Read more about this topic:  Gustave Courbet

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    It doesn’t matter that your painting is small. Kopecks are also small, but when a lot are put together they make a ruble. Each painting displayed in a gallery and each good book that makes it into a library, no matter how small they may be, serves a great cause: accretion of the national wealth.
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    I never can pass by the Metropolitan Museum of Art in New York without thinking of it not as a gallery of living portraits but as a cemetery of tax-deductible wealth.
    Lewis H. Lapham (b. 1935)

    Each morning the manager of this gallery substituted some new picture, distinguished by more brilliant or harmonious coloring, for the old upon the walls.
    Henry David Thoreau (1817–1862)