Career
Heiberg finished his secondary education in 1874, and enrolled in law studies. Having befriended Gerhard Gran, he came under the influence of Charles Darwin, Georg Brandes and Johan Sverdrup. He became a cultural radical, and made his debut as a poet in 1878. In the autumn that year he spent time in Rome, together with Henrik Ibsen and Jens Peter Jacobsen. His first play Tante Ulrikke was written from 1877, finally printed in 1884, but not staged until 1901. His first play to reach the stage was Kong Midas, premiéring in Copenhagen's Royal Danish Theatre in 1890.
From 1880 to 1882 he worked as a journalist in Dagbladet. He was subsequently a journalist in Verdens Gang from 1896 to 1903, and Paris correspondent for that newspaper from 1897 to 1901 (during the Dreyfus case, among others). He was also a theatre critic. From 1884 to 1888, he was the artistic director of the theatre Den Nationale Scene in Bergen. He resigned when the theatre director and board refused to stage Bjørnstjerne Bjørnson's play Kongen. His best known plays are Balkonen (The Balcony, 1894) and Kjærlighedens Tragedie (The Tragedy of Love, 1904).
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