Gun Barrel Sequence
The James Bond film series is a British series of spy films based on the fictional character of MI6 agent James Bond (code designation "007"), who originally appeared in a series of books by Ian Fleming. The gun barrel sequence is the signature device featured in nearly every film of the series. Shot from the point-of-view of a presumed assassin, it features British MI6 agent James Bond walking, turning and then shooting directly at camera, causing blood to run down the screen. The visuals are accompanied by the James Bond Theme, composed by Monty Norman.
Originally designed by Maurice Binder, the sequence has featured in every James Bond film produced by Eon Productions and, although retaining the same basic elements, it has evolved noticeably throughout the series. It is one of the most immediately recognizable elements of the franchise and has featured heavily in marketing material for the films and their spin-offs.
British media historian James Chapman suggests that the sequence is a significant part of the James Bond mythos because it "foregrounds the motif of looking, which is central to the spy genre."
Read more about Gun Barrel Sequence: Description, Origins, Costume, Music, Other Uses, Parodies
Famous quotes containing the words gun, barrel and/or sequence:
“What cannot stand must fall; and the measure of our sincerity and therefore of the respect of men, is the amount of health and wealth we will hazard in the defence of our right. An old farmer, my neighbor across the fence, when I ask him if he is not going to town-meeting, says: “No, ‘t is no use balloting, for it will not stay; but what you do with the gun will stay so.””
—Ralph Waldo Emerson (1803–1882)
“I am from time to time congratulating myself on my general want of success as a lecturer; apparent want of success, but is it not a real triumph? I do my work clean as I go along, and they will not be likely to want me anywhere again. So there is no danger of my repeating myself, and getting to a barrel of sermons, which you must upset, and begin again with.”
—Henry David Thoreau (1817–1862)
“It isn’t that you subordinate your ideas to the force of the facts in autobiography but that you construct a sequence of stories to bind up the facts with a persuasive hypothesis that unravels your history’s meaning.”
—Philip Roth (b. 1933)