Production
Max and Dave Fleischer had wanted to produce a feature as early as 1934 (shortly after Disney announced it was to produce a feature film), but Paramount, who distributed Fleischer's Popeye, Betty Boop, Screen Songs, and Color Classics cartoon shorts, vetoed the idea. However, after the success of Snow White and the Seven Dwarfs, Paramount agreed to allow the Fleischers to make a feature. Paramount offered to build the New York City-based Fleischers a new state-of-the-art animation studio in Miami Beach, Florida, away from the union influence which had polarized the Fleischer Studio after a bitter 1937 labor strike. The Fleischers agreed, and began development on Gulliver's Travels in spring 1938 as construction began on the Miami studio. The Miami Fleischer Studio opened in fall 1938, and the Fleischer staff moved their production headquarters there. A few individuals, including voice actor Mae Questel, opted to remain in New York and did not follow the Fleischers to Miami.
Paramount wanted Gulliver ready for a Christmas 1939 release, meaning that the film would have to be produced on a timetable that was one-third of that for the production of Disney's Snow White. To meet this deadline, the Fleischer staff was greatly expanded, to the point that the once-spacious new building was overcrowded with employees. Local Miami art schools provided graduates to be trained as ink-and-paint artists and in-betweeners. Animators were lured from the Hollywood animation studios, including Cal Howard, Nelson Demorest, Joe D'Igalo and Tedd Pierce from Leon Schlesinger Productions, and former Fleischer employees Grim Natwick, Al Eugster, Frank Smith and James Culhane, who had all migrated over to the Disney studio. Factions developed between the East and West Coast animators, who were unaccustomed to each other's habits. The two sides grew further apart after Howard, Pierce, and the other Hollywood storymen decided to discard the New York regime's storyboards, crafting the film's plot over again from scratch.
Rotoscoping, an animation technique originally developed by the Fleischer Studios, was used throughout Gulliver's Travels to animate Gulliver. The process involves tracing live-action footage frame-by-frame; Sam Parker, the actor who performed the voice of Gulliver, also modeled as the character's live-action reference. Popeye the Sailor had originally been planned to "portray" Gulliver, but these plans were scrapped during pre-production.
Read more about this topic: Gulliver's Travels (1939 Film)
Famous quotes containing the word production:
“To expect to increase prices and then to maintain them at a higher level by means of a plan which must of necessity increase production while decreasing consumption is to fly in the face of an economic law as well established as any law of nature.”
—Calvin Coolidge (1872–1933)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)
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—Debbie Taylor (20th century)