Career
Turner and I Shot Andy Warhol director Mary Harron wrote a screenplay, which ended up being selected for the film version of Bret Easton Ellis' American Psycho. She has a brief cameo in the film, in which she delivers the in-joke, "I'm not a lesbian!" (Turner is openly lesbian). There is also a line about attending Sarah Lawrence College, Turner's real-life alma mater.
Turner emerged on the scene with the film Go Fish, which she co-wrote and co-produced with her then-girlfriend, Rose Troche. Turner also starred in the film, portraying a young woman named Max whose friends help her find a new girlfriend, Ely, portrayed by VS Brodie. Director Kevin Smith was a fan of the movie, particularly a scene in it wherein, in an imagined sequence, some of a character's friends chastise her for "selling out" and sleeping with a man, and used it as an inspiration for his own take on a similar theme in his own film Chasing Amy. Turner has cameos in both Chasing Amy and Smith's later film Dogma; her name is used as that of Joey Lauren Adams' character in Smith's Mallrats.
A writer and story editor for the first two seasons of The L Word, Turner also made several memorable guest appearances on the show as Alice Pieszecki's screenwriter ex-girlfriend, Gabby.
In 2005 Turner wrote the script for BloodRayne. She co-wrote the script for The Notorious Bettie Page with Mary Harron, who directed the film.
Turner's first foray into web television is the 2008 online drama series, FEED, directed by Mel Robertston, launched on AfterEllen.com.
Turner has directed several short films, such as The Hummer and Hung, which have appeared in many international film festivals.
Read more about this topic: Guinevere Turner
Famous quotes containing the word career:
“I doubt that I would have taken so many leaps in my own writing or been as clear about my feminist and political commitments if I had not been anointed as early as I was. Some major form of recognition seems to have to mark a woman’s career for her to be able to go out on a limb without having her credentials questioned.”
—Ruth Behar (b. 1956)
“What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partner’s job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.”
—Arlie Hochschild (20th century)
“The 19-year-old Diana ... decided to make her career that of wife. Today that can be a very, very iffy line of work.... And what sometimes happens to the women who pursue it is the best argument imaginable for teaching girls that they should always be able to take care of themselves.”
—Anna Quindlen (b. 1952)