Paintings For The Guilds
In many cities the Guild of Saint Luke financed a chapel that was decorated with an altarpiece of their patron saint. Rogier van der Weyden's St. Luke Drawing the Virgin (Museum of Fine Arts, Boston), one of the earliest-known paintings, set up a tradition that was followed by many subsequent artists. Jan Gossaert's work in the Kunsthistorisches Museum, Vienna (illustrated, top right) revisits Van der Weyden's composition while presenting the scene as a visionary experience instead of a directly-witnessed portrait sitting. Later, Frans Floris (1556), Marten de Vos (1602) and Otto van Veen all represented the subject for the guild in Antwerp, and Abraham Janssens painted an altarpiece for the guild in Mechelen in 1605. These paintings are frequently self-portraits with the artist as Luke, and often provide insight into artistic practices from the time when they were made since the subject is of an artist at work.
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Maarten van Heemskerk painted this altarpiece before he left Haarlem for Italy in 1532.
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Same theme by Giorgio Vasari.
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It was carved in 1730s by Anonymous.
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Famous quotes containing the word paintings:
“Not “Seeing is Believing” you ninny, but “Believing is Seeing.” For modern art has become completely literary: the paintings and other works exist only to illustrate the text.”
—Tom Wolfe (b. 1931)