Production
The most available element in group 3 is yttrium, with annual production of 8,900 tonnes in 2010. Yttrium is mostly produced as oxide, by a single country, China (99%). Lutetium and scandium are also mostly obtained as oxides, and their annual production by 2001 was about 10 and 2 tonnes, respectively.
Group 3 elements are mined only as a byproduct from the extraction of other elements. The metallic elements are extremely rare; the production of metallic yttrium is about a few tonnes, and that of scandium is in the order of 10 kg per year; production of lutetium is not calculated, but it is certainly small. The elements, after purification from other rare earth metals, are isolated as oxides; the oxides are converted to fluorides during reactions with hydrofluoric acid. The resulting fluorides are reduced with alkaline earth metals or alloys of the metals; metallic calcium is used most frequently. For example:
- Sc2O3 + 3 HF → 2 ScF3 + 3 H2O
- 2 ScF3 + 3 Ca → 3 CaF2 + 2 Sc
Read more about this topic: Group 3 Element
Famous quotes containing the word production:
“The heart of man ever finds a constant succession of passions, so that the destroying and pulling down of one proves generally to be nothing else but the production and the setting up of another.”
—François, Duc De La Rochefoucauld (1613–1680)
“It is part of the educator’s responsibility to see equally to two things: First, that the problem grows out of the conditions of the experience being had in the present, and that it is within the range of the capacity of students; and, secondly, that it is such that it arouses in the learner an active quest for information and for production of new ideas. The new facts and new ideas thus obtained become the ground for further experiences in which new problems are presented.”
—John Dewey (1859–1952)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)