Griffith Jones (actor) - Early Career

Early Career

In 1930 Jones was studying law at University College London when Kenneth Barnes, the Principal of the Royal Academy of Dramatic Art, noticed him in a student performance and offered him a career as an actor. His first professional engagement was in Carpet Slippers at the Embassy Theatre, Swiss Cottage, in 1930, while still at RADA. He won the annual RADA Gold Medal in 1932. His first West End production was Vile Bodies at the Vaudeville and Richard of Bordeaux (in which he appeared with John Gielgud) at the New. In the following year he appeared with Laurence Olivier in The Rats of Norway. He made a success as "Caryl Sanger" with Elizabeth Bergner in Escape Me Never.

In 1932 he also made his film debut, in The Faithful Heart, and he continued to appear in British films throughout the 1930s. In 1940 he joined the army, but spent most of World War II in a touring concert party, returning to the West End in 1945 to star in Lady Windermere's Fan.

Read more about this topic:  Griffith Jones (actor)

Famous quotes containing the words early and/or career:

    [In early adolescence] she becomes acutely aware of herself as a being perceived by others, judged by others, though she herself is the harshest judge, quick to list her physical flaws, quick to undervalue and under-rate herself not only in terms of physical appearance but across a wide range of talents, capacities and even social status, whereas boys of the same age will cite their abilities, their talents and their social status pretty accurately.
    Terri Apter (20th century)

    Whether lawyer, politician or executive, the American who knows what’s good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.
    Lewis H. Lapham (b. 1935)