Ecocriticism and Ecocomposition
Gaard has applied ecofeminist theory to both literary criticism and composition instruction, thereby contributing feminist insights to the emerging fields of ecocriticism and ecocomposition.
Ecofeminist Literary Criticism: Theory, Interpretation, Pedagogy, edited by Gaard and Patrick D. Murphy, was the first anthology to examine not only how ecofeminist theory might enhance literary criticism but also how close reading of texts might inform ecofeminist theory and activist practice. This development in ecocriticism was welcomed by scholars who, along with Simon C. Estok, believe that "if ecocriticism is to have any effect outside of the narrow confines of academia, then it must not only define itself but also address the issue of values in ways that connect meaningfully with the non-academic world."
Gaard's widely cited contribution to Ecocomposition: Theoretical and Practical Approaches similarly argues for the activist applications of scholarly theory, asserting that "at its most inclusive, ecocomposition has the potential to address social issues such as feminism, environmental ethics, multiculturalism, politics, and economics, all by examining matters of form and style, audience and argumentation, and reliable sources and documentation."
Read more about this topic: Greta Gaard