Greil Marcus - Works

Works

  • Rock & Roll Will Stand (1969), edited anthology
  • Double Feature: Movies & Politics (1972), co-authored with Michael Goodwin
  • Mystery Train: Images of America in Rock 'n' Roll Music (1975, fifth revision March 25, 2008)
  • Stranded: Rock and Roll for a Desert Island (1979, editor and contributor)
  • Lipstick Traces: A Secret History of the 20th Century (1989)
  • Dead Elvis: A Chronicle of a Cultural Obsession (1991)
  • In the Fascist Bathroom: Punk in Pop Music, 1977-1992 (1993, originally published as Ranters & Crowd Pleasers)
  • The Dustbin of History (1995)
  • Invisible Republic: Bob Dylan's Basement Tapes (1997; also published as The Old, Weird America: Bob Dylan's Basement Tapes, 2001)
  • Double Trouble: Bill Clinton and Elvis Presley in a Land of No Alternatives (2001)
  • The Manchurian Candidate: BFI Film Classics, 68 (2002)
  • The Rose & the Briar: Death, Love and Liberty in the American Ballad (2004, co-edited with Sean Wilentz)
  • Like a Rolling Stone: Bob Dylan at the Crossroads (2005)
  • The Shape of Things to Come: Prophecy in the American Voice (2006)
  • A New Literary History of America (2009), co-edited with Werner Sollors
  • Best Music Writing 2009, 10th anniversary edition (2009), guest editor with Daphne Carr (series editor)
  • When That Rough God Goes Riding: Listening to Van Morrison (2010)
  • Bob Dylan by Greil Marcus: Writings 1968-2010 (2011)
  • The Old, Weird America: The World of Bob Dylan's Basement Tapes (2011)
  • The Doors: A Lifetime of Listening to Five Mean Years (2011)
  • Conversations With Greil Marcus (edited by Joe Bonomo, Literary Conversations Series, 2012)

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Famous quotes containing the word works:

    “His works are not to be studied, but read with a swift satisfaction. Their flavor and gust is like what poets tell of the froth of wine, which can only be tasted once and hastily.”
    —Henry David Thoreau (1817–1862)

    “I know no subject more elevating, more amazing, more ready to the poetical enthusiasm, the philosophical reflection, and the moral sentiment than the works of nature. Where can we meet such variety, such beauty, such magnificence?”
    —James Thomson (1700–1748)

    “Most young black females learn to be suspicious and critical of feminist thinking long before they have any clear understanding of its theory and politics.... Without rigorously engaging feminist thought, they insist that racial separatism works best. This attitude is dangerous. It not only erases the reality of common female experience as a basis for academic study; it also constructs a framework in which differences cannot be examined comparatively.”
    —bell hooks (b. c. 1955)