Reaction
The miniseries was a sales success, with the first issue going through four printings, and selling a total of 156,975 copies. The second issue went through two printings, and sold 122,221 copies. The subsequent issues sold 106,523, 108,077, 115,006, and 114,354 copies, respectively. The final issue was ranked #8 in sales, and the #4 selling DC book for that month.
Tony Isabella, reviewing the series in Comics Buyer's Guide #1616 (May 2006), gave it five out of five “Tonys”, praising the story’s characterization, the book’s art, and opining that the explanation of the Parallax Fear Anomaly was “one of the single most brilliant concepts” he had ever seen in a Green Lantern comic book. ShakingThrough.net complimented the story’s “many rewarding moments”, also naming the Parallax Fear Anomaly. Those who did not care for the series’ approach include Stephen Rauch of PopMatters.com, who thought the series was formulaic, and that the story was “The kind an eight-year-old writes, and is later ashamed of.” Long time Green Lantern fan and author Jim Smith reviewed several issues in the Shiny Shelf web magazine and opined that the series "demonstrates, in every panel, the futility of endless Silver Age retro is, in a quite meaningful sense, the very epicenter of all that is wrong with contemporary comic books." Sean Ferrell of numbmonkey.com called the story “strong”, though opining that it had some flaws, including Van Sciver’s art.
The success of Green Lantern: Rebirth led to popular acclaim for the team of Geoff Johns and Ethan Van Sciver, and allowed them to revisit the concept for another classic DC character in 2009's The Flash: Rebirth.
Read more about this topic: Green Lantern: Rebirth
Famous quotes containing the word reaction:
“More and more, when faced with the world of men, the only reaction is one of individualism. Man alone is an end unto himself. Everything one tries to do for the common good ends in failure.”
—Albert Camus (1913–1960)
“An actor must communicate his author’s given message—comedy, tragedy, serio- comedy; then comes his unique moment, as he is confronted by the looked-for, yet at times unexpected, reaction of the audience. This split second is his; he is in command of his medium; the effect vanishes into thin air; but that moment has a power all its own and, like power in any form, is stimulating and alluring.”
—Eleanor Robson Belmont (1878–1979)
“In contrast to revenge, which is the natural, automatic reaction to transgression and which, because of the irreversibility of the action process can be expected and even calculated, the act of forgiving can never be predicted; it is the only reaction that acts in an unexpected way and thus retains, though being a reaction, something of the original character of action.”
—Hannah Arendt (1906–1975)