Reception
Green Hills of Africa initially got a cool reception. Writing for The New York Times, critic John Chamberlain claimed: Green Hills of Africa is not one of the major Hemingway works. Mr. Hemingway has so simplified his method that all his characters talk the lingo perfected in The Sun Also Rises, whether these characters are British, Austrian, Arabian, Ethiopian or Kikuyu." However, two days later, writing for the same newspaper, critic C. G. Poore hailed The Green Hills of Africa as "the best-written story of big-game hunting anywhere I have read. And more than that. It's a book about people in unacknowledged conflict and about the pleasures of travel and the pleasures of drinking and war and peace and writing." Despite the better review, Hemingway said the book critics "killed" the book. He went into a deep depression, and said he was "ready to blow my lousy head off". Within a few months he was ready to blame the corrupting influence of the wealthy women in his life—his wife Pauline and his mistress Jane Mason. The result of his bitterness were two stories about Africa: "The Short Happy Life of Francis Macomber" and "The Snows of Kilimanjaro", that featured husbands married to domineering women.
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Famous quotes containing the word reception:
“I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, “I hear you spoke here tonight.” “Oh, it was nothing,” I replied modestly. “Yes,” the little old lady nodded, “that’s what I heard.””
—Gerald R. Ford (b. 1913)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)
“Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.”
—Rémy De Gourmont (1858–1915)