Greek and Roman Conceptions of Myth
Mythology was at the heart of everyday life in Ancient Greece. Greeks regarded mythology as a part of their history. They used myth to explain natural phenomena, cultural variations, traditional enmities and friendships. It was a source of pride to be able to trace one's leaders' descent from a mythological hero or a god. Few ever doubted that there was truth behind the account of the Trojan War in the Iliad and Odyssey. According to Victor Davis Hanson, a military historian, columnist, political essayist and former Classics professor, and John Heath, associate professor of Classics at Santa Clara University, the profound knowledge of the Homeric epos was deemed by the Greeks the basis of their acculturation. Homer was the "education of Greece" (Ἑλλάδος παίδευσις), and his poetry "the Book".
Read more about this topic: Greek Mythology
Famous quotes containing the words greek, roman, conceptions and/or myth:
“I lately met with an old volume from a London bookshop, containing the Greek Minor Poets, and it was a pleasure to read once more only the words Orpheus, Linus, Musæus,—those faint poetic sounds and echoes of a name, dying away on the ears of us modern men; and those hardly more substantial sounds, Mimnermus, Ibycus, Alcæus, Stesichorus, Menander. They lived not in vain. We can converse with these bodiless fames without reserve or personality.”
—Henry David Thoreau (1817–1862)
“Semantically, taste is rich and confusing, its etymology as odd and interesting as that of “style.” But while style—deriving from the stylus or pointed rod which Roman scribes used to make marks on wax tablets—suggests activity, taste is more passive.... Etymologically, the word we use derives from the Old French, meaning touch or feel, a sense that is preserved in the current Italian word for a keyboard, tastiera.”
—Stephen Bayley, British historian, art critic. “Taste: The Story of an Idea,” Taste: The Secret Meaning of Things, Random House (1991)
“My idea is that the world outside—the so-called modern world—can only pervert and degrade the conceptions of the primitive instinct of art and feeling, and that our only chance is to accept the limited number of survivors—the one- in-a-thousand of born artists and poets—and to intensify the energy of feeling within that radiant centre.”
—Henry Brooks Adams (1838–1918)
“By blood we live, the hot, the cold,
To ravage and redeem the world:
There is no bloodless myth will hold.”
—Geoffrey Hill (b. 1932)