In Art
In 1819 an aquatint of the interior was drawn by Augustus Charles Pugin and Thomas Rowlandson, and originally published in the popular illustrated magazine of the period, Ackermann's Repository of Arts. Pugin drew a handsome representation of the Ionic columns supporting the balconies and the classical decoration of the building. Rowlandson drew caricatures of the congregants, with the hunched shoulders and exaggerated noses traditionally attributed to Jews.
Read more about this topic: Great Synagogue Of London
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“In most modern instances, interpretation amounts to the philistine refusal to leave the work of art alone. Real art has the capacity to make us nervous. By reducing the work of art to its content and then interpreting that, one tames the work of art. Interpretation makes art manageable, conformable.”
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