Great Falls, Montana - Motion Pictures Filmed in Great Falls

Motion Pictures Filmed in Great Falls

Numerous motion pictures have been filmed in and around Great Falls, Montana. These movies include:

  • Thunderbolt and Lightfoot (1974)
  • Telefon (1977)
  • The Stone Boy (1984)
  • The Untouchables (1987)
  • Amazing Grace and Chuck (1987)
  • A River Runs Through It (1992)
  • Freedom (1994)
  • Holy Matrimony (1994)
  • The Slaughter Rule (2002)
  • Northfork (2003)
  • Iron Ridge (2008)
  • The Vessel (2009) (Post-Production)

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Famous quotes containing the words motion pictures, motion, pictures, filmed and/or falls:

    Too many Broadway actors in motion pictures lost their grip on success—had a feeling that none of it had ever happened on that sun-drenched coast, that the coast itself did not exist, there was no California. It had dropped away like a hasty dream and nothing could ever have been like the things they thought they remembered.
    Mae West (1892–1980)

    The motion picture is like a picture of a lady in a half- piece bathing suit. If she wore a few more clothes, you might be intrigued. If she wore no clothes at all, you might be shocked. But the way it is, you are occupied with noticing that her knees are too bony and that her toenails are too large. The modern film tries too hard to be real. Its techniques of illusion are so perfect that it requires no contribution from the audience but a mouthful of popcorn.
    Raymond Chandler (1888–1959)

    There is nothing on earth more exquisite than a bonny book, with well-placed columns of rich black writing in beautiful borders, and illuminated pictures cunningly inset. But nowadays, instead of looking at books, people read them. A book might as well be one of those orders for bacon and bran.
    George Bernard Shaw (1856–1950)

    An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.
    George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)

    Ah, it is sweet on the hills,
    to dance in sacred faun-pelt,
    to dance until one falls faint,
    to beat the sacred dance-beat
    until one drops down
    worn out.
    Hilda Doolittle (1886–1961)