Graphic Arts Center Publishing - History

History

Graphic Arts Center Publishing started in 1967 as a division of Graphic Arts Center, Inc., Oregon's largest printer. The publishing house was one of the pioneers in publishing large-format, full-color print books. These became known as "coffee table books." Their first book in this format was the popular Oregon, a book of photographs by Ray Atkeson, which became a series that includes Oregon 2 and Oregon III.

In the mid 1980s, Graphic Arts began to diversify from photographic books into subjects like children’s fiction and non-fiction. In 1993, Graphic Arts acquired Alaska Northwest Books, the largest trade book publisher in the Alaskan market.

In 1998, Graphic Arts started its third imprint, WestWinds Press, to launch a series of Western titles and photography books.

In April 2006, the company filed for Chapter 11 bankruptcy. In October 2006, Ingram Content Group invested in Graphic Arts as part of a bankruptcy reorganization plan. In January 2007, Graphic Arts Center Publishing Company emerged from bankruptcy. The company again filed for bankruptcy in order to liquidate in November 2009.

Read more about this topic:  Graphic Arts Center Publishing

Famous quotes containing the word history:

    The steps toward the emancipation of women are first intellectual, then industrial, lastly legal and political. Great strides in the first two of these stages already have been made of millions of women who do not yet perceive that it is surely carrying them towards the last.
    Ellen Battelle Dietrick, U.S. suffragist. As quoted in History of Woman Suffrage, vol. 4, ch. 13, by Susan B. Anthony and Ida Husted Harper (1902)

    In the history of the human mind, these glowing and ruddy fables precede the noonday thoughts of men, as Aurora the sun’s rays. The matutine intellect of the poet, keeping in advance of the glare of philosophy, always dwells in this auroral atmosphere.
    Henry David Thoreau (1817–1862)

    I assure you that in our next class we will concern ourselves solely with the history of Egypt, and not with the more lurid and non-curricular subject of living mummies.
    Griffin Jay, and Reginald LeBorg. Prof. Norman (Frank Reicher)