History
Graphic Arts Center Publishing started in 1967 as a division of Graphic Arts Center, Inc., Oregon's largest printer. The publishing house was one of the pioneers in publishing large-format, full-color print books. These became known as "coffee table books." Their first book in this format was the popular Oregon, a book of photographs by Ray Atkeson, which became a series that includes Oregon 2 and Oregon III.
In the mid 1980s, Graphic Arts began to diversify from photographic books into subjects like children’s fiction and non-fiction. In 1993, Graphic Arts acquired Alaska Northwest Books, the largest trade book publisher in the Alaskan market.
In 1998, Graphic Arts started its third imprint, WestWinds Press, to launch a series of Western titles and photography books.
In April 2006, the company filed for Chapter 11 bankruptcy. In October 2006, Ingram Content Group invested in Graphic Arts as part of a bankruptcy reorganization plan. In January 2007, Graphic Arts Center Publishing Company emerged from bankruptcy. The company again filed for bankruptcy in order to liquidate in November 2009.
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“Let it suffice that in the light of these two facts, namely, that the mind is One, and that nature is its correlative, history is to be read and written.”
—Ralph Waldo Emerson (1803–1882)
“I am ashamed to see what a shallow village tale our so-called History is. How many times must we say Rome, and Paris, and Constantinople! What does Rome know of rat and lizard? What are Olympiads and Consulates to these neighboring systems of being? Nay, what food or experience or succor have they for the Esquimaux seal-hunter, or the Kanaka in his canoe, for the fisherman, the stevedore, the porter?”
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“The history of work has been, in part, the history of the worker’s body. Production depended on what the body could accomplish with strength and skill. Techniques that improve output have been driven by a general desire to decrease the pain of labor as well as by employers’ intentions to escape dependency upon that knowledge which only the sentient laboring body could provide.”
—Shoshana Zuboff (b. 1951)