The Grand Serenade for an Awful Lot of Winds and Percussion is a piece of music written by Peter Schickele, touted as a composition of the fictional P.D.Q. Bach. It consists of 4 movements, and is meant to be humorous to listen to. The players are told to play the piece sloppily, especially the fourth movement. The whole piece is about 10-11 minutes long. It was released on the album Music for an Awful Lot of Winds and Percussion.
Read more about Grand Serenade For An Awful Lot Of Winds And Percussion: Movements, Discography
Famous quotes containing the words grand, awful, lot, winds and/or percussion:
“This we take it is the grand characteristic of our age. By our skill in Mechanism, it has come to pass, that in the management of external things we excel all other ages; while in whatever respects the pure moral nature, in true dignity of soul and character, we are perhaps inferior to most civilised ages.”
—Thomas Carlyle (1795–1881)
“Phenomenal nature shadows him wherever he goes. Clouds in the staring sky transmit to one another, by means of slow signs, incredibly detailed information regarding him. His inmost thoughts are discussed at nightfall, in manual alphabet, by darkly gesticulating trees. Pebbles or stains or sunflecks form patterns representing in some awful way messages which he must intercept. Everything is a cipher and of everything he is the theme.”
—Vladimir Nabokov (1899–1977)
“The professional must learn to be moved and touched emotionally, yet at the same time stand back objectively: I’ve seen a lot of damage done by tea and sympathy.”
—Anthony Storr (b. 1920)
“And such the trust that still were mine,
Though stormy winds swept o’er the brine,
Or though the tempest’s fiery breath
Roused me from sleep to wreck and death.
In ocean cave, still safe with Thee
The germ of immortality!
And calm and peaceful shall I sleep,
Rocked in the cradle of the deep.”
—Emma Hart Willard (1787–1870)
“We got our new rifled muskets this morning. They are mostly old muskets, many of them used, altered from flint-lock to percussion ... but the power of the gun was fully as great as represented. The ball at one-fourth mile passed through the largest rails; at one-half mile almost the same.... I think it an excellent arm.”
—Rutherford Birchard Hayes (1822–1893)