The Grammy Award for Best Jazz Fusion Performance was an award presented at the Grammy Awards, a ceremony that was established in 1958 and originally called the Gramophone Awards, to recording artists for works (songs or albums) containing quality jazz fusion performances. Honors in several categories are presented at the ceremony annually by the National Academy of Recording Arts and Sciences of the United States to "honor artistic achievement, technical proficiency and overall excellence in the recording industry, without regard to album sales or chart position".
Originally called the Grammy Award for Best Jazz Fusion Performance, Vocal or Instrumental, the award was first presented to the jazz band Weather Report at the 22nd Grammy Awards in 1980 for the album 8:30. In 1988, the category name changed to Best Jazz Fusion Performance and was moved to a newly created Fusion field. The category name was retired before the 33rd Grammy Awards (1992) with the addition of the award for Best Contemporary Jazz Performance (currently known as Best Contemporary Jazz Album).
Pat Metheny holds the record for the most wins in this category, with a total of five (four times with the Pat Metheny Group). David Sanborn is the only other musician to win the award more than once, with two. The composition "Birdland" earned two musicians the award—The Manhattan Transfer won in 1981 and Quincy Jones won in 1991 for the version that appears on the compilation album Back on the Block. The award went to artists or groups originating from the United States each year it was presented. Metheny also holds the record for the most nominations, with seven (including five consecutive nominations between 1981 and 1985). The group Spyro Gyra holds the record for the most nominations without a win, with six. In 1990, Terri Lyne Carrington became the first solo female artist to be nominated for the award. No female artists were nominated in 1991, the final year the award was presented, making Carrington the only female solo artist to be nominated throughout the category's lifetime.
Read more about Grammy Award For Best Jazz Fusion Performance: Recipients
Famous quotes containing the words award, jazz, fusion and/or performance:
“The award of a pure gold medal for poetry would flatter the recipient unduly: no poem ever attains such carat purity.”
—Robert Graves (1895–1985)
“It seems to me monstrous that anyone should believe that the jazz rhythm expresses America. Jazz rhythm expresses the primitive savage.”
—Isadora Duncan (1878–1927)
“No ... the real American has not yet arrived. He is only in the Crucible, I tell you—he will be the fusion of all races, perhaps the coming superman.”
—Israel Zangwill (1864–1926)
“The audience is the most revered member of the theater. Without an audience there is no theater. Every technique learned by the actor, every curtain, every flat on the stage, every careful analysis by the director, every coordinated scene, is for the enjoyment of the audience. They are our guests, our evaluators, and the last spoke in the wheel which can then begin to roll. They make the performance meaningful.”
—Viola Spolin (b. 1911)